Gary J. Kirkpatrick Art and Travel Blog
Posting original art
Rich with charm, Wergea is a tiny village in Friesland, We passed through on our boat Viking via their one lane canal, the only canal in the village. Tranquility, harmony of architecture, bikes on the lanes. In good weather the Netherlands is one of the best places on earth.
We passed through this tiny town on this one lane canal in this tiny town in Friesland, rich with charm.
We have been mooring in the deep countryside of Friesland, a province of the Netherlands. Reeds, still used for making thatched roofs, line the canals. Among the wildlife are storks, who nest on the tops of trees. Their black tails help make them more visible from a distance. They have even made some special nesting spots for these large birds.
This is another in my series of paintings inspired by Edward Hopper. This is based on In a New York restaurant. While the general design is Hopper’s, there are many variation of the design and changes to the characters in the set, in addition to a much different painting style and technique. For example, with regard to the characters, the central figure’s face is fully exposed and is an auto retrato. The cloaked figure’s face is showing. There are three red headed figures and a figure behind the revolving door.
Click https://garyjkirkpatrick.com/category/art/hopper-inspired/ to see the other paintings in this series.
Duurstede Castle is in the town of Wijk bij Duurstede in the Netherlands. The castle dates from the 13th century.
Rhectern Castle lies on the Overijsselse Vecht River near Dalfsen, Nederleands. It is privately owned, dating from the 12th century. You can not visit the interior and are kept well back. It’s a lovely bike ride from the village.
My take on two famous portraits. I gave Mona a gaunt look with a square jaw. I interpreted the profile of Sargeant’s fabulous Madam X.
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Vermeer’s Girl With A Pearl Earring inspired this painting. My reference reminded me of his fabulous and famous piece. However there are major differences. He bathed her face in light, but here it is gently swathed in shadow with highlights produced by the light coming from the side. The background is lighter and more varied than Vermeer’s traditionally dark surface.
