We visited the village where our nephew Travis worked as a Peace Corps volunteer. It was a fabulous visit despite the primitive conditions- the people were just so loving and friendly. These are the only ones I still have and I am offering them for the next week at special prices. See blog on Zambia for further accounts of this special journey.
Zambian Women -6- Around-Fire, A3, 11.5 x 16.5″ watercolor on fine art paper $450
Women Dance in Zambian Village, our Peace Corps visit, A3, 11.5 x 16.5″ $450
Tanzanian Plains, watercolor, A3, 11.5 x 16.5″, acrylics on paper (sold)
Young Women Carry Cassava, watercolor, 11.5 x 16.5″ $350Young Zambian Woman $350Woman Carries Chickens $350Woman Carries 5 gallons of water $350Heart of Lightness- we arrive at Trav’s village to an amazing, loving reception complete with chorus! $350Heart of Lightness- we arrive at Trav’s village to an amazing, loving reception complete with chorus! $350Heart of Lightness- we arrive at Trav’s village to an amazing, loving reception complete with chorus! $350Woman Collect Sand $250Travis’ Hut in Zambia (sold)
Women, with Towel, cataracts (acrylics), A3/8.3 x 11.5″
Women, with Towel shows another in the mirror. A third appears in outline, derived from the Portrait of a Young Woman, recently attributed to Leonardo. Her outline is done with a water color pencil, otherwise the work is acrylics. The background is applied with a knife. Original and prints.
Palacio de Aranjuez pen and ink, (5 x7″, 12.7 x 17.8 cm)
At Aranjuez, cataracts (acrylics), A3/29. cm x 42 cm, 11.5″ x 16.5″, on high quality paper
At Aranjuez is the same scene as Carmen at Aranjuez. But there is no railing separating her from the harsh reality below –it’s nearly winter, the icy gray of the cold Rio Tajo running on the backside of the Palacio. Nonetheless there is beauty of sky and the shimmering reflections to enchant, but, yet, stay back. It reminds of those mythologies we invent to account for both the cruelty and charm of existence; no wonder our deities are so self-contradicting.
At Aranjuez, detail
At Aranjuez, detail
At Aranjuez, detail
Carmen at Aranjuez, 12.7 x 17.8 cm, watercolor
I was thinking of how I would miss my new friends, the warmth of her standing there contrasting with the coldness of the water, the building, affection as a guard against life’s sometimes harsh realities.
This building sits just across from the Palace. It was built in the mid 1800’s and completely renovated.
Palcio de Sivela, Aranjuez, 12.7 x 17.8 cm, watercolor (sold)
I did these pen and ink drawings in the audience at Palau de la Musica in Valencia, Spain. The originals are done on very small paper in pen and ink. I use both hands, one for the ink pen and the other a brush with a water reservoir. I call it automatic drawing since I can not see what I am doing, between looking at the subject and the darkness of the hall. I can not work from photographs as photos are not permitted. Pricing information at the bottom.
Comments from my Facebook timeline:
“Bold”
“Powerful”
“Stunning”
“Beautiful”
Bass Fiddler
Contrabass at Palau de la Musica, pen and ink, prints only
Palau de la Musica Group
Cory At The Piano
Dancing in the Concert Hall
Palau de la Musica members of the band
Conductor and Stage at Palau de la Musica
Contrabass Standing at Palau de la Musica
To Order
Contact me with the name of drawing using email info@garyjkirkpatrick.com, by phone (US) +1 570 832 4480 or Spain +34 658 744 302. $35/35 Euros for 8.5″ x 11″ (approx) / 21 x 30 cm $25 for 11.5″ x 17″ (approx) / 30 x 42 cm. Giclee prints ($60/60 euros for 12″ x 16″ / 30 x 40cm).
Iglesia de Santa Catarina Tower From Plaza Santa Catarina
Sitting in Plaza Santa Catarina (study for the watercolor). This was the first time I joined a group of local water color artists who meet on Wednesdays. Valencia has several watercolor groups who do urban or rural landscapes.
Iglesia de Santa Catarina Tower From Plaza Santa Catarina watercolor and acrylics, A 4, 8 x 11, 21 x30 cm
This is another version of my Panamanian friend. She was one of our Spanish teachers – they called them facilitators as they did not do formal teaching as much as immersion. Always friendly and in a great mood. It was only in the past year I learned she had trained as a model and was so good in front of a camera.
Panamanian Woman as Goth, acrylics, A3, 29/7 cm x 42 m, 11.7 x 16.5″
Go, Figures started life as a regular modeling session but in acrylics, not the usual way to go. It evolved into this. The background is inspired by František Kupka’s Mme Kupka (1910). He was a Czech artist and she his wife. I saw the painting at the Nieu Gallery in NYC, at a special exhibit that included some of Klimt’s famous paintings.
Go Figures , acrylic on paper, 13″ x 20″, 33 x 38 cm
This is another version of my Panamanian friend. The background is inspired by František Kupka’s Mme Kupka (1910). He was a Czech artist and she his wife. I saw the painting at the Nieu Gallery in NYC, at a special exhibit that included some of Klimt’s famous paintings.
Panamanian Women in Multi Color, A3, 29.7 x 42 cm, 11.5″ x 16.5″
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