Born in 1881 in Nagaevo, Russia, Natalia Sergeevna Goncharova, the daughter of Sergei, an architect. She moved to Moscow in 1892, and graduated from the Fourth Women’s Gymnasium in 1898. In 1901 she enrolled in the Moscow Institute of Painting, Sculpture and Architecture to study sculpture, and in 1903 she began exhibiting in important venues. Goncharova then met Mikhail Larionov, also a student; shortly they began to live and work together. She switched to painting in 1904, drawing on Russian folk art and icons and with Mikhail created Rayonism, a style influenced by technology and modernity, with strong rays of contrasting colors.
Art
Palau de la Musica Small Stage
Another in the series of paintings based on drawings done at the Palau de la Musica in Valencia, Spain. The audience waits expectantly as the musicians arrive. Valencia has a long and powerful tradition of symphonic bands and offer many free concerts each year. This is a smaller hall and here you can listen to more traditional music.
Two Brown Bass Fiddles at the Palau
Two Brown Bass Fiddles at the Palau
This started life as a drawing at Palau de la Musica. I enlarged the original, a tiny 2 x 4″ and put it on the canvas board, then painted in with acrylics. See also Two Fiddles at the Palau, a version of this based on the very same drawing.
Women artists: Sonfonisba Anguissola
Women were stuck in the chores of domesticity until comparatively recent times. Becoming anything other than a mother and domestic was nearly unheard of for almost all women. Therefore I decided to find out more about the ones that overcame this rigid social system and give them a bit of their due.
Sonfonisb Anguissola (1532, Cremona, Italy), was an Italian portrait painter working in Genoa, Palermo and Madrid in the 16th century. She was of noble birth, as one might expect, as was almost always the case with female artists at least until the 19th c. She apprenticed when quite young, as was common at the time for males, but in her case it was precedent setting.
As a young woman she went to Rome, spending her time sketching. There she met Michelangelo, who recognized her skills. In Milan she was commissioned to paint the Duke of Alba. He introduced her to the Spanish queen, Elizabeth of Valois and wife of Phillip II, an amateur painter in her own right. In 1559 she moved to Madrid as Elizabeth’s tutor and lady in waiting, becoming an official court painter. Upon the queen’s death, Philip arranged an aristocratic marriage for her. She moved first to Palermo, then Pisa and finally Genoa, where she remained an admired portrait painter, seemingly with the backing of both of her husbands. She died at ninety-three, having been a wealthy patron of the arts after her eyesight failed.
Her best portraits are of her family:
At age 20 she painted this, her most famous painting:
But she made her money doing portraits of nobility:
Most of her religious paintings are lost. Here most important early painting is Bernardino Campi Painting Sofonisba Anguissola (c. 1550). It’s a double portrait showing her art teacher in the act of painting a portrait of her.
She was not allowed to study the nude, as women weren’t permitted to do so.
You may expect future entries on the following artists: Gontcharova, Gwen John, Hepworth, Kahlo
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Piano Fingers: dancers and singers visit
Music enchants us, the dance, the singing, the skill, the magic. It transports the listener to their own land of fantasies. Dancers, singers, or something entirely unrelated can accompany our immersion in the tones. This painting is an exploration of that dream state.
A continuation of my music related series. This is more realistic than some of my music paintings as the subject and presentation seem more suited to this style than an expressionistic approach given the importance of the hands.
The dancing couple is Fred Astaire and Ginger Rogers, the two singers include friend Shena and her co-singer Lindsay in a San Francisco group.
Comments from Facebook:
Love this!
Enchanting!
Super imagination!
Excellent! Bravo!
¡Que hermosa obra, Gary!
So wonderful love it!
Romantic and meaningful!
That’s art!
Panamanian Woman II
This is another version of Panamanian Woman. I got to know my Panamanian friend when we lived in Panama when we were in the Peace Corps. We lived and worked in the mountains and got to know quite a few people in that coffee producing community.
Portrait of Panamanian Woman
She has become a diva for me. I knew her in Panama. She has a knack for modeling, which aside from being intelligent, friendly and attractive, makes her a delight to paint and draw. I have several other paintings based on her.
Fantasy Quartet
Fantasy Quartet
This is the second fantasy based on the “automatic” drawing you can see below. Where do our thoughts go as we become absorbed in the music? The swathes of color symbolize the vast space into which the musicians and audience project their dreamy thoughts.