Palermo- a city to visit, a city on the edge

Arpil 2019
 
Palermo has many charms, starting with the friendly people, continuing with the superb church art and architecture, many lovely parks and piazzas, opera, and a ton of diverse history.   To these charms add the Greek temples in Arigento and Selinunte, Erice, Siracusa, Noto and other destinations not far away, and you have a location of major interest to both short and long-term visitors. 

 

Palermo would be a much lovelier city if they could do a better job in the non-tourist areas where they are dreadfully inept at trash removal and street cleaning.  There are some buildings in need of demolition or renovation, and exterior cleaning, but given the size and age of the city I am less concerned with those big dollar projects than the daily need to clean up.   There is chronic labor unrest, and substandard buildings from the 70’s and 80’s that accompanied the depopulation of rural Sicily.  That Sicily largely disabled the Mafia is a vast credit, and it honors those heroes, but corruption of a less invasive type is still an issue.    My sense is that with a big push on the clean up Palermo could be a mighty fine place to live given its location, climate,  and rich heritage, and while that alone would not solve the other matters, it would cure a lingering source of discontent.  

 

 

The parks  

 

 

We are near Giardino Inglese.   To get there we walk on a few less than well maintained streets, along which you pass some fabulous bakeries and pastry shops, and at least two good restaurants we’ve been to, one being Ristorante di Diego which we enjoyed last Saturday night.    Once you get to the parks, you are in a different world – tranquil, clean, beautiful.   You might think you crossed a vast ocean between one place and another given the sharp contrasts. 

 

 

 

Architecture

 

 

Palermo was heavily bombed in WW2.  You can still see some of the effects around the port.   However tere are many palaces in good to excellent condition that are hundreds of years old, and you can pay to see some.  Baroque architecture is common, especially among the churches.  The Arabo-Norman style is unique to Palermo.   See my post on the Palazzon Normani 
 
The main street, Via Liberta, is pedestrian only on weekends, from near us down to the center.  This makes for tranquil strolling and leisure gazing at the buildings, shops and fast food places along the way.  You smell the barbecue wafting from the Ballaro street market.  Here, all roads and, as a result all paragraphs, lead to a place to eat.

 

 

Four Corners

 

 

Piazza Pretoria
Piazza Pretoria


 

 

 

 
 
Palermo is not a top tier city when it comes to art museums.   Given its size, around 800,000 people, that is neither surprising nor unusual.   There is a very good archaeology museum,  the Regional Archeological Museum Antonio Salinas, and there is at least one dig you can visit, Necropoli Punica , taking you back a few thousand years.   There are two modern art museums.  Neither have the resources for major foreign expositions.  You see some of the more well-known Sicilian artists from the 19th c and some of the contemporary artists as well.  
 
From the Museo D’Arte Contemporanea Della Sicilia at the Palazzo Riso:

 

 

 

Death of Duchamp – famous or infamous for his portray of toilet as art
The Last Selfie
 
 

 

Check out my posts on several of the more famous churches.   
 
Photos by Peg

 

 

 

Everything needs to change, so everything can stay the same.

April 27, 2019
 
In 1956 the Sicilian Giuseppe Tomasi di Lampedusa wrote a novel called Il Gattopardo, The Leopard.  It was published in 1958, after his death.  The book won the 1959 Strega Prize, Italy’s highest award for fiction.  In 2012 the Observor named the book one of the best 10 historical novels.   It’s the story of  Don Fabrizio Corbera, Prince of Salina, the author’s great-grandfather and his response to the Risorgamiento, the effort that unified Italy.  Garibaldi and his 1000 soldiers in landed in Sicily in 1860 to bring the island into the fold.  Corbera, the last in a line of minor princes, finds that he has to choose between upper class values and the changing times.  To go along with the latter ironically meant more influence for the family.   His nephew Tancredi, who joined Garibaldi, put it thus: “Everything needs to change, so everything can stay the same.”  In the end Sicily’s ruling class joined the new Italy, setting aside centuries of Spanish rule.
 
In 2000 we met Gigi, Tomasi’s great-nephew.  He was then in the process of writing a novel.  He needed someone to help him write it in English.  This was more than normal editing, as although he spoke English quite well, writing is another matter and often not easy to do even for native speakers.   Peg took on the task.  This led to stay in Sicily for 3 weeks.
 
We lodged in his family’s turn of the century residence outside Modica, a charming town whose houses line a steep gorge.  His house was out in the flatter area however.  His wife Marina was there with us as well.  Marina was friendly and a very good cook as well.  We had dinner with them most nights.  I learned to make onions in bread crumbs with garlic, oregano and basil.  She made pasta Palermitana, which here in Palermo they are calling pasta sarde, pasta with sardines, and which are very popular.  She sauteed fresh sardines, then she added bread crumbs before mixing in the cooked pasta.  Marina had a German Shepherd she’d rescued off the street.  He had a wild-eyed look to him, like he was deciding if he would let you pass or attack, though he never even growled.  She called him simply ‘Cane, ‘  ‘Dog.’  We had a whole apartment to ourselves, on the  second floor, with its own kitchen, to give you an idea of the size of the place.  
 
It was in the month of July.  When Peg was not working we drove around in Gigi’s Renault 8. They have a dashboard mounted 4 speed manual transmission.  It was old and the shifter clunky, but always ran.   It was fun to drive such a French car.  With it we went to a burial site dating to something like 4000 BCE, a Roman theater, stopped when we saw fig trees by the side of the road ripe with fruit, appearing to belong to no one.  We ate fresh tuna in out-of-the-way places and well-known ones such as Noto.  Tuna is plentiful that time of year when they run the straits between Sicily and Malta on their way to the cooler waters of the Atlantic.    Siracusa is an ancient Greek city in an island with many, with churches built using Roman era marble columns.  There is both a theater and an oracle,  the oracle now just a cave, not far from town.  I took the ferry to Malta, imaging the voyages of Ulysses and the Carthaginians along the way, just an hour and a half on the sea. 
 
In one double take moment I saw a boy and a girl walking ahead of us.  They looked just like my brother and the older of my sisters at that age.  Unlike me, they are 100% Sicilian, not that all Sicilians look alike.  Even in my own family there are vast differences.  Zio Matteo, my mother’s half-brother, was blond and blue-eyed, although his hair was gray by the time of my earliest memories.  He taught me to use a knife and fork, European style, right hand for the knife, left for the fork.  In those days I think they did not allow for lefties.  In fact the teachers, nuns I believe, forced her to write with her right hand.  Lefties were somehow devils.
 
Gigi and Marina took us often to a bar in the mornings, one known for their coffee granitas topped with thick whipped cream.  We went to a friend’s house one evening.  They grilled veggies for the bruscheta (‘ch’ in Italian is a hard ‘k’ sound, so it is pronounced ‘brusKeta’) on great Italian bread.  There was pasta and wine, and a secondi, either meat or fish.  The food was endless, the conversation in Italian mostly, some of which we could follow with our combination of Spanish, French and a book called “Italian Made Simple.”
 
As far as we know, Gigi never published his book.  Peg said he was rewriting her edits, which she then had to edit.  She concluded he could finish it in English.  Maybe he wrote it Italian.   I read a short story he wrote.  It was quite good.  A yacht owner took his large boat into the Med with a group of friends.  He let his regular captain take the day off.  They all dove off the boat to enjoy the lovely waters.  However they forgot to lower the ladder beforehand and found they could not get back on the boat.  Everyone drowned.
 
We flew back to Rome from Catania, flying over the isle of Stromboli.  It’s a volcano, cone is long gone, with  signs of life rising from its depths. 

 

Stromboil

 

The Sound and the Fury

 

                              The Sound and the Fury

 

My play upon these words from Macbeth, Scene V

MACBETH

She should have died hereafter;
There would have been a time for such a word.
To-morrow, and to-morrow, and to-morrow,
Creeps in this petty pace from day to day
To the last syllable of recorded time,
And all our yesterdays have lighted fools
The way to dusty death. Out, out, brief candle!
Life’s but a walking shadow, a poor player
That struts and frets his hour upon the stage
And then is heard no more: it is a tale
Told by an idiot, full of sound and fury,
Signifying nothing.

High quality prints $35.00

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Best quality glicee print signed 1 of 50

[wp_paypal button=”buynow” name=”Sound and Fury glicee print” amount=”60.00″]

 
 

Duomo Monreale

April 20, 2019

Duomo Monreale , also referred to as the Cathedral of Monreale, sits at height over the valley in which Palermo resides.  The views of the city,  the large natural port, and the surrounding urban and rural zones are expansive.  Here’s a video with some good shots of the valley, taking you then to the Duomo and the adjacent cloisters.

[embedyt] https://www.youtube.com/watch?v=i557UcxWpys[/embedyt]

 

The cathedral was built under the Norman King Guillermo II, who along with his brother is buried here in a coffin aside a petition near the altar.  Legend would have it that he fell asleep beneath a tree in the nearby forest.  In a dream, Mary told him to build a church here.  They found treasure in the tree’s roots.  The gold financed the  project, which began in 1172.  The result today is a UNESCO Heritage Site, one of Italy’s finest churches.  It is in the Arabo-Norman Style, 102 x 40 meters in size.  The interior is wall to ceiling in what I would call ‘late’ Byzantine style mosaics.  The underlying drawings are a bit more realistic than what you might find in Orthodox churches.  There is not a bare centimeter anywhere in the buliding.  The floors are exquisitely formed patterns in marble.  The arches are Moorish in style as is the external decor.    

There is an extensive wiki so for more about this superb building.    https://en.wikipedia.org/wiki/Monreale_Cathedral

 

Peg’s photos

 

 

 

 

 

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A Good Friday Procession in Palermo

April 19, 2019

We were doing this and that in our apartment when we finally heard the procession going by.  I managed to get a short video. The Mary had already gone around the corner so you can see it just from behind. You can hear the music, though it has been pretty much the same everywhere today, except for the opera singer we heard at a church.

 

[embedyt] https://www.youtube.com/watch?v=TGOFMowAMrQ[/embedyt]

The heights of Serpotta’s art – the Oratorio Santissimo Rosario in Santa Cita

Oratorio di Santa Cita (1590) must be seen to be believed.  This must be Serpottas’s masterpiece.  He worked on it from 1687-1718.  Every piece is a superb example of Baroque stucco art. 

 

Here’s Peg’s video: [embedyt] https://www.youtube.com/watch?v=w8MUhPADDiM[/embedyt]

 

This one is professionally done so the lighting and contrast are excellent

 

[embedyt] https://www.youtube.com/watch?v=Q6q-AKjcM78[/embedyt]

 

Peg’s photos:

 

 

 

Memories of the Tall Ships in the Nederlands

April 2019

We have friends in Haarlem, the Haarlem in the Nederlands, not the Harlem in New York City. We are going to meet them in May at a spot off the Ijsselmeer in the middle of nowhere. It’s where we first met them in 2000. It was their idea, and how charming of them to think of it! We met as we were docking our boat, they helped us get to the bank, and later invited us for Oranjebitter, a liquor made from oranges. This beverage is issued every year in honor of the monarch, still on the throne,

 

Tall Ships Parade to Amsterdam, water color and ink, post card stock

 

 

We met them again later that summer near their house. It was July. The Tall Ships were in Amsterdam on their annual circuit, which this year concluded here. Thousands of smaller boats joined in parades to the harbor. We joined K and A, their daughter M and her husband B in the latter’s boat for a trip to Amsterdam harbor in the twilight. There were hundreds of small craft doing the same. We were bumper to bumper, so to speak. When it was dark out came a large barge stuffed with fireworks as well as huge loud speakers. It was a great show! I am glad Kees was at the helm as it was a pitch black sail back to their harbor.

We resume the boating life in a few weeks.  

 

Tall Ships 2, , water color and ink, post card stock

Crowd at Tall Ships 2015, pen and ink

Tall Ships Sketch 1, , pen and ink

 

Woman in a Van Gogh Field

I joined with two other artists in Valencia to hire a model with whom we enjoyed working.  She is able to hold long poses.  Over three hours I painted her in acrylics and later added the clothing and background.   I took as inspiration for the background the landscape paintings of Van Gogh, with a twist.

Woman In a Van Goghish Field, 75 x 36 cm, 30 x 14″ acrylics on paper

Chiesa San Agostino and Oratorio della SS. Carita di San Piedro

Oratorio della SS. Carita di San Piedro is a small church originally connected to a secular effort to raise funds for the ransom the religious abducted by pirates. The anteroom  has outstanding frescoes by Guglielmo Borremans.  One is “The escape of St. Peter from the Prison,” the other “The Glory of St. Peter.” There is also “Francis of Assisi,” “Achaio,” “Vincenzo de ‘Paoli,” and “Paolino.”

Oratorio della SS. Carita di San Piedro
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 Oratorio della SS. Carita di San Piedro

Chiesa San Agostino 

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Construction on the Romanesque Chiesa San Agostino (Chiesa di Sant’Agostino) is locally known as Santa Rita.  The building was built in the early 14th century . The rose window has 12 intersecting semi-circles and has an unusual trim that defines the entire otherwise plain facade.  The Gothic portal features arabesques (abstract patterns) and plant motifs. 

stucco statues by Serpotta

 

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