A Summer of Music in Rome’s Fabulous Venues

Barcelona Gipsy balKan Orchestra

Every summer the Italian government sponsors outdoor music events as part of a broader cultural initiative. The Polo Museale del Lazio (Museum Center of Lazio) put together one hundred activities for this summer’s entertainment.  See http://art-city.it

To date we have attended three concerts, one at Castle St Angelo and two at Piazza Venezia.  The former is in Vatican territory and the latter overlooks the Roman forum and the ‘centro historico’ of Rome.  Two more fabulous venues would be hard to find.  

From the Castle you have a great view of St. Peter’s Cathedral as well as the River Tevere and it’s many summertime tents, where patrons sip cold beverages or have a plate of pasta while sitting on the banks of the river that divides Rome.  

St Peter's from Castle Sant'Angelo
St Peter’s from Castle Sant’Angelo

 

We were privileged to enjoy the Barcelona Gypsy balKan (sic) Orchestra seated on the upper levels of the monument, erected circa 139 as Hadrian’s tomb.  You too can watch the performance we did, without the venue unfortunately:

Barcelona Gipsy balKan Orchestra, pen ink brish, mini done in audience
Barcelona Gypsy balKan (sic) Orchestra, pen ink brish, mini done in audience
Barcelona Gipsy balKan Orchestra
Barcelona Gipsy balKan Orchestra, pen ink brush, done in audience

Their lively performances fuse Roma and Klezmer.  Klezmer is a musical genre created by Ashkenazi Jews of Eastern Europe.  The groups are called klezmorim and originally it was largely dance tunes and instrumentals that they played for weddings and other celebrations.  It is every bit as energetic as Roma music and likewise there are dances that go with some songs.  When we were in Budapest one summer we watched a band and dance group performance, men in traditional black hats and suits dancing on an outdoor stage along the Danube.  It was impressively athletic, including bottles balanced on heads.

The concerts at Piazza Venezia take place within the monument to Vittorio Emannuel II, made king of Italy at the time of unification in 1861.  (You may recall that in 2000 Peg worked with the nephew of Lampedusa, who wrote the Leopard, a novel about Sicily at the time of reunification-  Gigi was working on a novel).  The monument overlooks Piazza Venezia on one side with great views of the historic center, and portions of the Roman forums on the others.  You can easily see Trajan’s column.

While waiting for the concert to begin, I sketched Trajan’s column.  The column recounts the conquest of Dacia, in what we now call Romania.  Romanian is a romance language, adopted as a result of the conquest depicted here.  The sculptors who did these columns came to be called columnists, from which we get our use of the word.

Trajans Column from Vittorio Emanuelle
Trajans Column from Vittorio Emanuelle, sketch

Romans are not fond of the monument, pejoratively calling it The Wedding Cake for its many layers. That you have to climb 260 stairs to get to the terraces does not make it any easier to like.  They say it is two floors to the terrace, which is true I suppose, it’s just the ceiling height that kills you.  There is an elevator to the highest level but you pay for those amazing views, but there is no stop on the level where they hold the concerts.

One evening there was a jazz band that whose offerings were too far from melodic for us.  The second night was Bach.  There were a flutist and a violinist, each accompanied by a virtuoso pianist, and a cellist who joined the rest for a third piece.   Fortunately I am a Bach fan, but if I were not, there would have been far too many notes for comfort.

 

These concerts and other events continue until September.  What a pleasure! 

Some classical style drawing, da Roma

Staute at Chiesa San Ignacio

July 7, 2017

When in Rome, draw as the Romans draw.  There’s so much to emulate!  Here are some statues and models I have drawn these past two weeks

 

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Trumpcissus — on Time Magazine Cover

Trumpcissus (Trump on Time Magazine Cover), prints only, original painting cut into Time cover

Trumpcissus on Time Magazine Cover

Caravaggio’s Narcissus forms the basis of the painting that I cut and paste into this Time magazine cover.  Prints only.  The original painting of Trump a la Narcissus is for sale-  go to http://www.garyjkirkpatrick.com/narcissus-ciao-carravaggio-theresistance-dumptrump-nobannowall-nohate-antitrump-antitrumpmvmt/.

If image is not sharp, try enlarging it.  

Trumpcissus (Trump on Time Cover)

Digital painting

Rome Struggles, Rome Beckons

View From Castle San Angelo

Rome Struggles, Rome Beckons

We landed in Rome’s Ciampino airport.  We are barely on the ground and already Rome’s disarray hit us.  

The last time we landed here there was only one bus to Termini, Rome’s central transit point.  We presumed that was still the case when we bought our tickets from the vendor in Valencia’s airport, thinking what a good idea it was to sell tickets ahead of time.  But then we walked out the front door, saw the bus platforms and four bus lines” names, but the name printed on our ticket was not there.  I asked several staff and passengers to find which line was ours. We stood in that line for 15 minutes (at least we were shielded from the hot sun).   The confusion was not over, however. as we were told to get in another line, whose placard was for another company. Indeed our bus appeared but as we waited we wondered if we had been mislead.  Then there was getting on the bus.  Italians do not stand in line, they crowd around the door, outflanking you. Eesh-  I was already exhausted.  And the struggle goes on and on.  Why?  Because Rome is chaotic like a turbulent fluid.    

Traffic moves like a raging river one moment and a logjam in the next, herking and jerking until the wee hours.  Yet like the fluid that finds its level, people get to where they are going, eventually, competing with each other and the buses and trams.  The latter are what the drivers avoid using, but once in their cars they spend lots of  time trying not to hit them and the other cars and the jillion darting scooters.   Everything would work better if most everyone used mass transit, or the recently added bike lanes which they might do if there were enough buses, subways and bike lanes,  but there aren’t since people spend money on cars instead.  

The enormous trash bins are another sign of chaos.  They are emptied daily yet each day overflow in an unsightly mess.  Rome city government is getting advice on how to solve their trash mess from Palermo, of all places- that’s how bad it is.  Even the upscale neighborhoods of the city have these problems, such as on Viale Giulio Cesare, which runs past the windows of our summer abode.  Down a bit from our place tourists by the millions line up for St. Peter’s and the Vatican Museum.  The back streets are lined with upscale stores, wine bars, restaurants and made to measure shops.  But trash mars the area.  The platforms upon which the containers nicely sit hold four dumpsters, one for household trash and three for recycling.  They need perhaps two more but there’s no room on the platform and cars take up the room otherwise available.  

Rome’s other issues contribute to the strain.  Refugees, street people, tax avoidance, pollution, street trash.  The list is seemingly without end-  this is not an easy place to run, so no wonder there’s so much dysfunction.   And yet people come, because Rome eternally beckons.  Where else would you find an Eternal City,  a city of such high art?  There are countless richly decorated and appointed churches, public buildings and monuments, private palaces such as the Pamphili Palace, still occupied by the family but mostly a museum.  There are Egyptian columns and Roman era ones such as Trajan’s which tells the story of the conquest of Dacia, modern day Romania.  And there is ancient Rome. Every shovel full brings up a history lesson, it seems.  This is why Metro Line C is not yet done after so many years, delaying one of the remedies for the chaos.  There is plenty of cultural modernity to bring you in and keep you here.  Wanted in Rome publishes huge lists of things to do-  concerts, expositions, talks, walks, plays and of course opera.  The Italians invented this high soap.  Good grief, are they melodramatic or what?  http://www.wantedinrome.com/whatson/.  

 

Summer brings the Music Fest, starting June 21.  Nighttime is filled with outdoor concerts and plays and acrobats and who knows what else, all free, and all the ones I have seen have been very good.  My favorite venue is atop Castel San Angelo.  Order a glass of wine and enjoy the music and the view of St Peter’s!!  And of course any time of day or night have a cappuccino.  Maybe you’ll find a delightful something to draw.

Then there’s the odd public service we ran across.  At Ottaviano metro, where you exit the subway for the Vatican, there is a free water spot.  Rome has had public drinking fountains, these little green creatures called ‘nasoni, for eons.’  They run constantly.  But this fountain is different, like the old milk dispensing machines, standing some 2 meters/7′ tall.  You put your bottle under the spout, press the button showing the size bottle you have and presto!  You can get fizzy water as well, yet it is totally free!   What?  

Only in Rome would you get free carbonated water.  How do they manage this and yet not be able to adequately handle the trash and sweep the streets?  Or perhaps more importantly, why bother with this at all? Perhaps it has something to do with the trash.  Millions of plastic bottles filled with water fill landfills and float in the Tevere that winds through the city.  Can we help if we give away the sparkling water?  I’d say so.  

The government is trying.  You can see that with this strange giveaway, with the trash platforms, another metro line.  But you see the challenges everywhere you go, the trash strewn streets, the refugees, the homeless, the African street vendors.

June 2016

Da Roma, Con Amore

We are back in the Eternal City.  Eternal traffic jams, streams of friendly people and an endless supply of art.   Check back here for lots of photos and updates! 

The Pantheon, Rome
The Pantheon, Rome

 

 

gary

Woman in Hijab Arch

Woman in Hijab Arch, acrylics on paper, 13.5 x 21 cm/ 5.3 x 8.15"

Woman in Hijab Arch

Many of the arches of Islamic architecture echo the shape of the upper body of the human form.  Here I have placed a face on that arch with this sketch in acrylics.   There is an example of an arch below the painting.

Woman in Hijab Arch, acrylics on paper, 13.5 x 21 cm/ 5.3 x 8.15"
Woman in Hijab Arch, acrylics on paper, 13.5 x 21 cm/ 5.3 x 8.15″

 

Islamic Arch
Islamic Arch
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