Woman in Black and White

Woman in Black and White, charcoal, 64 x 40 cm/25 x 16″


This drawing began its life as an Italian actress, first as a painting and then appearance modified here as charcoal drawing. This yields a high contrast that leaps from your wall. The foreshortening is extreme. Highlights in the hair pop off the paper.

To purchase go to https://www.saatchiart.com/art/Drawing-Woman-in-Black-and-White/664581/13608525/view

Amazing art in Buddhist and Hindu Temples in Singapore

No visit to Singapore would be complete without a visit to the Buddhist and Hindu temples. The temples are awash in highly colorful imagery.

Buddhist art is dominated by images of the Buddha. The figures are generally in accurate proportions, displaying a good understanding of anatomy. Not all portrayals are realistic overall. Much of the art is repetitive, that is, most images are standard copies of traditional presentations.

I visited the Tooth Relic Temple in Chinatown, which practices a Chinese version of Buddhism. Before you enter you must remove your shoes. You can not display your knees. They provide robes if needed. Photos are allowed at least during visiting hours. In the basement there is a theater and a vegetarian dining hall. The meals are free, donations accepted.

There are no gods in Buddhism. However there are rituals and relics. At the Tooth Relic Temple Buddhist temple people lit incense sticks. facing one way and then the opposite, waving them. There is a relic of a tooth of Buddha, however it is much too large for a human tooth.

From the Tooth Relic Temple, Singapore

The main floor has a 15-feet statue of the Buddha Maitreya, flanked by bodhisattvas.

Cintāmaṇicakra Avalokiteśvara Bodhisattva
Tooth Relic Temple, photo by Chainwit

Acala, one of the eight Zodiac protectors

From Hindu temples in Singapore

Hindu art is also wildly colorful. Multiple arms and other imaginary appendages are common.

Hindu goddess Kali
Nataraja represents Shiva as the “lord of dance”.
Sri Veeramakaliamman Temple
Saraswat, Sri Veeramakaliamman Temple
Sri Periyachi Amman

At the Hindu temples during my visits priests dropped flowers onto statues while chanting or praying.

Colourful entrance tower (gopuram), Sri Veeramakaliamman Temple

Buddhism, Hindu, Islam and Christianity are the most prominent religions in Singapore. The Inter-Religious Organisation (IRO) recognizes 10 major religions. Thirty one percent of the population is Buddhist, of which 40% are ethnic Chinese. Interestingly the non-religious form the second largest group at 20%. About 19% are Christians , mainly Catholics and Methodists, Some 15% practice Islam, mostly ethnic Malaysians. Pew’s study found that Singapore is the most religiously diverse country in the world. https://en.wikipedia.org/wiki/Religion_in_Singapore

The government is secular. This came as a result of religious riots in the 1960’s. A few groups are prohibited as cults, most notably Jehovah’s Witnesses and the Moonies, officially named the Unification Church.

Singapore: a mixture of cultures and cuisines

Wispy humidity-laced clouds welcome the visitor on the descent to Singapore’s waterfront airport. Lush greenness contrasts with glass and metal skyscrapers, all sitting together in the warm bath that is its climate. It was a quick pass through the passport scanners. My nephew was waiting for me. He didn’t need the sign others waiting for visitors held up. Once I’d jokingly held one up. It said, “Wife.”

He was ready right then and there to zoom me through the city’s tree and flower lined streets in his new and ample Chinese built e-car. We cruised on the “wrong side,” as Singapore was a British colony, to take short walks in the humid sunlight. Jet lag be damned, we were going to the National Museum for the history review it offers, abbreviated since the main exhibit is closed pending renovations.

I should have not have been surprised by the modernity of the museum’s building, given the skyscrapers dominating the central business district. I was, nonetheless, because in my mind I had images of colonial Britain, with its bamboo wicker structures, ceiling fans, khaki uniforms and condescending attitudes.

What I noticed immediately after left side driving was the signage- English predominates. Yet there are four official languages: English, Mandarin, Malay, and Tamil. English serves as the main language for government, education, and business, while the other three correspond to the major ethnic groups in the country but rarely appear other than on restaurants and temples. Most people speak at least some English.

The Republic of Singapore is pegged to the southern end of the Malaysian peninsula just 1 degree north of the equator, separated by a narrow strait crossed by a bridge. Aside from the main island there are some 65 others that seven million call home. There are straits also to either side, with the Singapore Strait to the south. Before the British, Singapore was part of various thalocratic empires, governing bodies primarily sea based with little control over inland areas. When the British arrived Singapore was a fishing village, if the Museum’s narrative is to be believed.

Its modern history starts with Stamford Raffles. He represented the British East India Trading Company. On January 28, 1829 he landed with a squadron of Company ships to meet with the local chief, Temmenggong Abdul Rahman. Agreement to allow Company access in hand, Raffles persuaded the Sultan Hussein Shah of Johor on the Mlaysian peninsula to sign the Treat of Friendship and Alliance on February 6, 1819. The Singapore River then rapidly developed into a port area welcoming traders and travelers from all over.

Raffles involved the Company in the succession struggle of the throne of Johor, and after trading rights with the Dutch East India Company, the British came to control the entire island in 1824. Singapore became the seat of government. In 1867 the British consolidated control as a result of the Straits Settlement.

Singapore was built on the backs of migrant laborers, who worked in construction and loaded the ships. They suffered in the heat and humidity, working long hours for low wages. Indian convicts did most of the hard work building bridges and roads between 1825 and 1873. The 1920’s and 30’s brought Samsui women from China. Best known for their red scarfs, they came in search of construction and industrial jobs. They were mostly from the Sanshui District of modern-day Guangdong, a province in southern China.

Migrants lived in cramped shared quarters in unsanitary conditions. Together they made for a diverse mixture of Oriental cultures, with costumes from the Levant to China. The wealthy walked around in silk robes and satin, while Jews and Arabs stuck to dark rich silks, Turkey red and pure white Madras muslim. Much is documented in photography starting in the mid 19th century. Migration continues, with over 40% of its current population is foreign born.

Singapore became a target of the Japanese expansionism of the 1940’s. The locals describe it as a period of deprivation. You ate little more than your own garden could produce.

The slick exhibits in the museum provide an excellent narrative along with displays of ancient maps, travel chests and timelines. It all came at a stiff price, about $18 USD, though it’s free for residents.

It wasn’t too soon to have a snack. Singapore’s street food markets, called hawker centers, are vibrant hubs where you can find a variety of affordable and delicious dishes influenced by the country’s multicultural heritage. These open-air food courts offer a communal dining experience essential to Singapore’s food culture. There is a bewildering variety of offerings with names I did not recognize even in their English version. No matter, I have a host who’s been here and had that. What a huge difference that makes!

One of Singapore’s many hawkers (street food courts)
Popiah

Hawkers are outdoors but covered. It’s warm of course, but with the roof keeping the sun and rain off and the huge running fans you’ll be comfortable enough most days. The offerings are amazingly inexpensive. A popiah, of Malaysian origin, is a sizable snack for me but a meal for many here. It cost around $5 SD, about $4 USD. For drinks there are fruit juices, soft drinks, and the occasional beer. There is no wine, which is extremely expensive. More of this complex cuisine scene anon.

Not Just Another Pretty Face/ Más Que Otra Cara Bonita (painting)

Más Que Otra Not Cara Bonita – Not Just Another Pretty Face, acrylics 1.8 x 1.3 meters/5.9 x 4.3′, prints only

I find endless inspiration in musical performance, and this original acrylic painting on canvas, “Not Just Another Pretty Face/ No Es Solo Otra Cara Bonita”, is the latest exploration of that theme. Here, a piano player takes center stage, rendered with both abstract and expressionist elements. The oversized canvas is a study in contrasts: light and dark, color and tone, and a blend of artistic styles.

The fluid strokes of acrylic paint create a dynamic interplay between realism and expressionism. The figurative elements of the piano player are grounded in reality, while the surrounding abstract textures evoke the passionate atmosphere of a live musical performance.

This piece makes a dramatic statement, vibrant energy and thought-provoking composition.

Standing in front of the painting in my studio

Some of the other paintings from Arte del Career (Are on the Street) in Picanya, Spain

Pianist and Dancers, painting

“Pianist and Dancers” is an expressionistic painting that captures a unique perspective of a performance. The scene unfolds from behind the performers, offering a view of the audience and the distant exit as the curtains rise.

Painted with acrylic on paper, the artist’s style is reminiscent of Degas and Sargent, with dancers gracefully entering from the wings, converging towards the pianist at center stage. The composition and vibrant colors evoke the energy and anticipation of a live musical event.

This large, figurative artwork is ideal for anyone who appreciates music and performing arts. Its unique viewpoint and dynamic composition make it a captivating piece that will add a touch of artistic flair to any space. Invite the beauty of “Pianist and Dancers” into your collection today.

pianists dancers final
Pianist and Dancers, acrylics, 100 x 70 cm/ 40 x 27.5″ on paper

For sale at Saatachi Art https://www.saatchiart.com/art/Painting-Pianist-and-Dancers/664581/13542267/view

Crossing the Bridge, white pastel on black

50 x 50 cm/19.5 x 19.5″ pastel on paper

“Crossing the Bridge” is a striking drawing that captures a couple as they cross the Mittlelandkaanal in Bad Essen, Germany. The path leads to the historic town, famed for its half-timbered architecture, offering passage over the waterway bustling with barges and boats.

This original artwork is rendered in high contrast white on black, using conte and pastel on black paper. The artist’s skillful use of light and shadow creates a dramatic and captivating scene.

This medium-sized drawing is a wonderful conversation piece, ideally suited to bring a touch of European charm to your living room, study, or hallway. The monochromatic palette ensures it will complement any decor. Add this unique piece to your collection today!

For sale at https://www.saatchiart.com/art/Drawing-Crossing-the-Bridge/664581/13548475/view