Gary J. Kirkpatrick Art and Travel Blog
Posting original art
This is the first in the series exploring the expressions of affection. I was sitting in Parque Turia in Valencia as a couple across the lawn embraced before the 15th century bridge crossing what was then the main channel of the Turia River, since diverted and made into walking and bike paths as well as playing fields, and of course a meeting place for lovers and snugglers.
Love takes many forms. We can always use more, can never have too much, and should not oppress but encourage its flowering thus deepening the bonds that hold us together.
We are back in our favorite winter quarters, where the sky is always blue and the winter temperatures moderate, the street life vibrant, the food fresh and varied, and the people warm and friendly. It’s a place that brings smiles to our face the moment we look out the window or go out the door.
The flight from Rome is normally quite beautiful. You might get a view of the Coliseo. You fly over Sardinia and then get a lovely view of Valencia. Not this flight. Weather has hit the entire Iberian Peninsula, and even Valencia is effected. Light rain greets us but still we shed the jackets and sweaters we were wearing to get to the airport in Rome.
We are staying in a new ‘piso.’ This one is near Plaza de Toros, much larger than our previous place, more expensive too, but better for the painter in the household. We will miss our view:
We go to the Palau de la Musica here most Sundays to listen to the symphonic bands, of which there are many in the province. The first Sunday we heard the Banda Municipal. I often do small pen and ink drawings as I listen. Here’s the flautist playing a piece by one of local composers:
October 31, 2015
It’s our last day in Rome and I spent the morning drawing the statue of Marcus Aurelius in il Museo Capitoline. This has to be one of the most impressive pieces of art around, for its magnificence, proportions, gilded in bronze and dating from around 180 CE. It’s astounding and a privilege to sit before it. It is in its new setting in a special room at the museum.
Just around the corner there is this Etruscan piece from 700-600 BCE
This one is terrific but pales in comparison to the Sarcophagus of the Spouses in the Etruscan Museum here- called Villa Giulia. Circa 520 BCE. Terracotta.
I met her in Panama while we were in the Peace Corps and we kept in touch. She is photogenic!
The Museo Nazional de Arte Clasica Romana is across the street from Termini. It houses a fine collection of Roman era sculptures on the first two floors, very professionally exhibited with excellent English translations. The top floor houses wall paintings from Roman era villas, many of which are in amazing condition. There are also some excellent examples of mosaic art. Here are some examples.
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Giethoorn is a tiny village in the Nederlands. In town there are canals and walking paths only. The houses have thatched roofs. It’s a magical place.
The Museo delle Mura (Museum of the Walls), is at St Stephens Gate, at the entry to Appia Antica, the Appian Way as it is known in English. It wasn’t open when we were here last and in 2000 I do not think it even existed. It is small but the small albeit older style exhibits tell you about the history of the Roman walls and their many alterations and reconstructions. And the views are great!
You can walk along the top of the walls, as you can see from here.
October 21, 2015
The Barberini Palace, just up the hill from Bernini’s Tritone Fountain, is an immense mansion and the home of the Galeria Nazionale d’Arte Antica, art from about the 15th c -17th century. Here is Caravaggio’s Narisco- Narcissus. Get a load of the reflection!
In the galleries I try to find something I can draw. I try to find something that is interesting and doable in 5-10 minutes and where there is a seat, good lighting, things like that. Sketch of Gerrit van Bronckhorst’s Betsaben al Bagno. I’d never heard of this painter. Seems to have been influenced by Caravaggio, given how he treats the light here.
Back to Caravaggio, here’s another masterpiece hanging in room 20 (in my best Spanish accent, I asked where this room was in Italian and got a reply in Spanish!). It’s so gruesome I nearly walked out of the room!
Salvator Rosa’s “La Poesia” and “La Musica” (17th century) are superb.
And a rarity for the time, a woman painter, and quite a good one! Portrait of a Young Woman Dressed as a Bacchante
Here’s yet another prize- what the Galleria notes as the first female nude:
Jacopo Zucchi “Ritratto di Ciela Farnese”
As for the building, it is a divine palace built by the Barberini family, whose symbol, three bees, appears throughout. It is in wonderful shape. The most magnificent room is on the second floor, immense and nearly empty except for several small sofas in the middle. People lay on them and look at the ceiling, some 20 meters/60 feet above. Here’s why:
You have to go there to appreciate all of these, especially this ceiling though.
All this for 7 euros.