This is another in my series of Hopperesque paintings. Hopper painted lonely scenes, even when there were multiple figures as there are here, much the same but seemingly unawares. Based on a scene I came across in Ghent, Belgium last summer, as I stood in a museum looking out the window.
Another in my series of Hopper inspired paintings, a woman looks out over a golden field with a thick green forest at its edge. Figures walk in a line towards the dark woods.
Inspired by a work by Edward Hopper, this celebrates train travel in older times
Croquis Cafe is an ode to Edward Hopper’s Sunlight In a Cafeteria. Strong lines are offset by soft figures. Unlike the loneliness of a Hopper scene, here we have activity and movement in an art cafe. “Croquis” is the French for sketch.
“In A Hopper Cafe” is another in the series echoing the work of American artists Edward Hopper, this one inspired by Hopper’s ‘Chop Suey. Strong lines contrast with fuzziness in the figures, hard lines with soft, outdoors with the indoors, the comparative focus of the indoor scene with the uncertainty of whatever lies beyond with but a slim barrier of safety.
We are social creatures. Our connections keep us informed. Yet we are also separate. We have to reach across space as well as other barriers, whether the barriers be based in culture, gender or other factors.
Inspired by Edward Hopper’s Conference at Night, 1949. Strong contrasts, the powerful light of the window, two shimmering figures replace the dialogue of Conference. Out of focus, fuzzy dresses, perhaps made of fuzzy fabric, envelop the figures in a warmth protective against the rooms colder hues representing the starkness and loneliness of modern urban life. SOLD
Based on Hopper’s “Nighthawk,” I put stylized versions of Peg in the bar.