Montluc, the Gestapo Prison of Lyon

We are in the heart of what was Vichy France, and the home of the Butcher of Lyon.

Montluc prison was used by the Gestapo. In the museum today you can read the stories of some of the tortured and murdered witnesses, some of which you will see below, which I translated from panels in the exhibit.

The Gestapo in Lyon was lead by the infamous Klauss Barbie, the Butcher of Lyon. He was directly responsible for the death of 14,000 people, and the brutal torture of thousands. Forty years later, in May 1987, he was extradited from Bolivia, to which he had escaped with the help of US counter intelligence, judged for crimes against humanity and sentenced to life imprisonment. By then France had outlawed the death penalty. He died a few years later of cancer.

The Gestapo was first established at the Terminus hotel near Perrache station,  then in the premises of the School of Military Health Services on Avenue Berthelot and finally,  after the bombing of May 26, 1944, at 35 Place Bellecour. The torture took place In these locations, not at the prison.

Violence governed the relationships between prisoners and guards, and the days were punctuated by summons for interrogation, where torture was used to obtain confessions and information.  Internees also were subject to deportation and execution. There were few bright spots in their lives. One was their ability to form friendships, despite the prohibition against all communication between prisoners. Also there were links, if tenuous, between the prison and the outside world. Prisoners could receive letters and packages, before this practice was prohibited, as well as news of the Allied advance brought by new arrivals, saving many from falling into despair.

Since the November, 1942 invasion of the Vichy zone, the prison had been coveted by the Wehrmacht for its proximity to rail transport. On February 17, 1943, the prison was requisitioned by the Wehrmacht. As a result also of Nazi laws governing the occupied territory, the Wehrmacht (German army) administered prison was used to intern resistance fighters, hostages and Jews starting shortly after the requisition. Most prisoners were were arrested by the Gestapo, less frequently by the Militia. The prison served the entire southern zone. Vichy police could enter only to take charge of the bodies intended for the morgue.

Beginning in the summer of 1942 the Vichy government collaborated with the Nazis, who relied largely on the French police. The Resistance was hit hard starting in the spring of 1943 as the hunt for Jews intensified aswell.  In 1944 massacres and summary executions multiplied.

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Period photo

The creation of the Militia by the Vichy regime in early 1943 augmented the threat against Jews and Resistance fighters.  A paramilitary group heir to the Legion of Combatants and the Service d’ordre  Legionnaire, the Militia was divided into five services bringing together nearly 300 people in Lyon under the direction of Joseph Lécussan. The Courts Martial of the Militia were created in early 1944 to judge individuals acting alone or in groups, arrested in the act of “murder” or other so called crimes.  In Lyon, this courts martial sat at Saint-Paul prison. It met 18 times in 1944. Forty-five of the 52 resistance fighters brought before the court martial were sentenced to death and executed.  On June 29, 1944,  more than 722 prisoners, incarcerated for acts of resistance, were handed over to the occupier.  All were to be deported to Dachau.

 Later in the summer of 1944, when the trains were disrupted by  incessant attacks by the Resistance, many Jewish and non-Jewish detainees were taken to  be shot.  A final convoy left Lyon on August 11, 1944 with more than six hundred detainees on board,  including more than 400 Jews. Eleven days later they reached Auschwitz-Birkenau.

 Jews experienced conditions of detention harsher than the other prisoners. They were held until they were shipped to death camps.  Over two thousand Jews were interned, singles and even entire families, sometimes only for one night, like the children of the Izieu colony.

One description of Montluc prison reads: “It was a long barracks, a kind of beached Nordic longship, the keel  in the air, in the prison yard with its cargo of broken down prisoners.  Eighteen windows, three-quarters of which were smeared with yellow paint, opened and closed in its flanks, under the command of the men of the Wermacht. Bedbugs swarmed by the  thousands.   We were almost constantly traversed by the quivering of their agile little legs. Two rows of tiered beds, narrow like ship’s berths,  between them a long passageway, covered with piles of laundry.”  

Statements from prisoners

Émile Terroine, from “The Gestapo jails, Memories of Montluc prison” Editions de la Guillotièn notes:

Imagine the fate of prisoners, and even more so of female prisoners, who live in cells of six,  eight and sometimes more on an area of ​​two meters by one meter eighty, …lukewarm water {presumably it was summer at that time –Ed} in a bucket, ten minutes out in the morning to go to the toilet, because if we used the bucket life would become impossible. Not able to spread out simultaneously, neither at night nor during the day, taking turns trying to sleep while curled up in improbable positions.

Lazare Gaillard

The Montluc diet is particularly harsh, as is the whole regime. We were only allowed ten minutes outside our crowded cell, in the morning around 9 a.m.  During these few minutes in the heat we have the right to wash ourselves or our laundry.  Every 15 days, this  morning outing is replaced by showers in the afternoon.  Every week we can shave in the corridor serving the cells. During these different exercises absolute silence is required.  The guards kept yelling “Silence! ” Sanctions consisted of deprivation of soup for three  or four days. From time to time we were searched.

Arrested by the Gestapo on July 22, 1943, the same evening I found myself in a cell  on the first floor of Fort Montluc. I have no memory of my arrival. No doubt the interrogation was tough, so I might not have been entirely conscious.  The cell I occupied for a month and a half had two bedsteads  separated by a short space and, at ground level, to the right of the entrance door an opening, closed by a small iron door, for the toilet. There was one advantage:  by climbing onto one of the bedsteads we could look through the skylight and  see, beyond the surrounding wall, the rue du Dauphiné and the gate of a factory. From Montluc, the antechamber of the unknown (1942-1944).

André Pedron

Here I am in prison…  Four whitewashed walls, absolutely bare, the concrete floor.  Opposite the door, at a height inaccessible to a man, a small window with seven bars.  In the corner, on the left, a small iron door;  I open it:  it is a cupboard, occupied by a bucket which will serve as a toilet.  Finally, under the window,  a bench whose total thickness does not exceed three centimeters.  Then, based on the length of my shoes, I measured the cell:  2 meters 10 by 1 meter 80. I estimated the height at around 3 meters, which  is about 12 cubic meters, just enough for one man.  There will be up to seven of us living in this cubbyhole.  In Montluc, the Anteroom of the Unknown (1942-1944).

Francis Gagneraud was a pharmacist. Demobilized from the French Navy in August 1940 he joined the ranks  of the Resistance.  On December 10, 1943, Gagneraud was arrested on Quai Perrache. Interned in the “Jewish barracks.,” he obtained pharmaceuticals gathered by his wife.  In the small room that he was able to annex he posted the words “Infirmary” on the door, with a red cross.  For six months, assisted by medical student André Roux, he treated many prisoners.  For the sickest, he managed to negotiate improvements in internment conditions and to

Francis Gagneraud was released on August 16, 1944.

Alban Grateau, in the summer of 1944:

The Germans who guarded us were more  gentle with us and one of them said to us: “Tonight, everyone leaves.”  Indeed, the rumor of our release circulated from cell to cell and throughout the premises where we were locked up.  The women sang La Marseillaise and La Madelon, no one intervened to silence them, hope was born.  Finally, we suddenly heard a broken voice speaking to us in the courtyard. It was General Chevallier and here are, verbatim, words he addressed to us:

 “My children, the Germans have left, they left me the keys. But for reasons that I cannot tell you,  we won’t open the doors until tomorrow morning.”

Barely had these words been spoken when broke down the solid doors, opening other doors for our comrades. Imagine this sudden release of seven hundred martyrs, the majority of whom had been  tortured and who all expected to die in firing squads.

Charles Déchelette writes:

 It was crazy enthusiasm: everyone was laughing, kissing, singing. We were all the more happy to live given that the enemy had left Lyon. It was then that young people who were very hungry – and  for good reason! – blew down the doors of the food stores. In the blink of an eye, everything was distributed.

The Montluc Prison website

In the Mouth of the Lyon

Flying north takes me easterly over the water first to Palma de Mallora before winging in the correct direction, an hour later settling lower over the lush landscape of France west of Geneva.

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Over the Rhone

The Rhone Express, perhaps better named the Rhone Decaffeinated, crawls though intersections after brusque rushes past farms, dropping me off at Gare -Dieu (don’t ask me why they need a dash in there when they need it instead on on the train). The landlord let me in, gave me a few incomprehensible instructions and one or two otherwise and off I went. It’s wine and cheese time and I’m on my own in the big city.

None can compare to a Rustique Camembert. Take my word for it, I’ve tried the expensive shops, paid much more and come back disappointed. (Note to my Valencia readers- you can get one at the Mercado Central in the center where they have the belens at Xmas time). I looked for one in the small epicerie a minute from our turn of the century front door. They not only had it but another of my favorites as well, a monk cheese with a washed skin that gives it an almost crunch texture. It’s called Chausse de Moines

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Wine and Cheese, water color and ink

Mon dieu! I’d forgotten the bread. Another minute wasted as I shuffled down the street to the artisanal bakery. My moment was saved.

A mere day later then came the Missus. Our Lady of Perpetual Motion. She of the Map. Known by many names, off we went. Not that my days of wine and cheese were over. It’s a land of wine to go with the cheese. For 4-5 € there’s a good one even in the supermarket. There’s a Merlot (gasp go the winos), rond et fruite from the Pays d’ Oc, further south, while here you can get Beaujolais, including of course its famous Nouveau, and a tiny bit further the wines of Burgundy appear. I found a Petite Chapelle from Burgandy at the Super U. Not much fruit left but lots of complex flavor nonetheless and enough legs to qualify as a Rockette.

It’s going to be a rough few weeks.

Perouges, one of the most picturesque villages of France

On a small hill sits Perouges, a tiny medieval fortress-like stone-walled village. Founded some 1000 years ago, possibly by Gauls returning from a visit to Perugia, Italy, it’s streets are rough stone, difficult to walk on. The walls and buildings are stone, as well as just about everything else, a perfect example of what we refer to when we say, “They don’t build ’em like they used to.” I’ll say.

The town was on the border between France and the Duchy of Burgandy, which was not annexed until 1477, thus the need for its defensive walls.

Once housing a few hundred, now just 90 people live there as it converted into a tourist destination. It is about 40 minutes from Lyon by train (reduced prices on Sundays), and . You have to walk into town up a short but steep hill to get there. We came via the route that leads you to the main gate.

From a plaque in the church (translated and edited): Built around 1440 (time of Joan of Arc), Sante Marie- Madeleine is Gothic in style although the walls and narrow openings are Romanesque. This came about as a result of the church being built as part of the defensive wall of the city, found on three of its sides. It is thus a fortress church, (of which there are few- ed). There is a nave and two aisles. The sanctuary is not quite in the alignment of the nave, which gives the church a leaning character. This is due to the configuration of the fortifications, perhaps giving it a spiritual meaning by seeing the bowed head of Christ on the cross. A series of floor elevations: past the door main, we climb six steps to reach the entrance to the nave. At the end of it, we access to the choir by two steps, then into the sanctuary (ed) by three other steps, which produces a permanent ascent, from entry to sanctuary, and illustrates the spiritual path of Christian. The church gives the impression of great homogeneity. The nave is made up of seven spans. It is supported by large octagonal pillars (five of each side) Vaults and edges offer many decorative elements, particularly at the base of the edges (lamp bases) where we find plant decorations, animals and even small characters, a few grotesque ones, including devil figures.

There are signs of human habitation since circa 2500 BC, leaving behind the pottery they made, I imagine. The present humans specialize in making galettes, a sweet or savory flat bread. It is made with flour and butter, and in at least one recipe I have seen, they put in a bit of vinegar for the savory type. We ordered a tomato sauce, mozzarella and oregano version. It’s a pizza, other than the crust is softer, probably harder to make a crusty bottom given the butter. They are also into tulips, somehow connected with looking for a cancer cure.

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A savory galette

In the Saone in Lyon

Il Barbe is an island in the Saone River. It’s springtime and the river flow is up, overflowing some of the riverside sidewalks.

On the island was the home of a 5th century abbey. It was dismantled during the French revolution. Today there are beautiful stone houses and a magnificent church. See watercolor painting below.

Old houses on Ile Barbe, Lyon
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Church on Ile Barbe

There’s been a bridge to the island since the 17th century. There’s a modern one in place now.

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Houses on Ile Barbe, Lyon, France. This area is private so we had no access. Looks really neat. Photos above show it from the river side

We got there on a local bus. You can get weekly tickets for €22 via the app, which I learned about as we were standing in line to get the paper version, which is €5 more. Once installed and you buy the tickets with your credit card, you simply click on your phone to activate the screen light (you do not have to unlock) and hold it over the scan pad at the metro entrance or inside the bus.

Margaret Walker, African American poet

Margaret Walker (1915-1998) was a highly accomplished woman. She was at college student at the young age of 15 when she begin writing poetry. In 1936 she joined the Federal Writers’ Project in Chicago, befriending Richard Wright. BA from Northwestern 1935, MA and Ph D U of Iowa 1945. Her dissertation was published as a novel, Jubilee 1966.

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Dr. Margaret Walker, Conte pencil, 32 x 50 cm/ 12.5 x 19.5″ on gray pastel paper

Walker was the first African American poet to receive the Yale Younger Poets Prize, penning For My People 1942. She published This Is My Century: New and Collected Poems , October Journey and Prophets for a New Day .

In 1949 she joined the faculty at Jackson State College. She returned to the University of Iowa for her doctoral studies and received a PhD in 1965. In 1968 Walker founded the Institute for the Study of the History, Life, and Culture of Black People at Jackson State College.

As what became the Margaret Walker Center, she organized the 1971 National Evaluative Conference on Black Studies and the 1973 Phillis Wheatley Poetry Festival.

In 1979 she published On Being Female, Black, and Free, a collection of personal essays, and Richard Wright: Daemonic Genius.

Fallas 2024 rocks on

Starting March 1 each year, Fallas is an annual celebration of renewal, a kind of out with the old and in with the new, clean out the shop and closet to create something out of scrap. Well that’s the way it began, morphing into an over the top celebration of, well, pretty much whatever you want, most using a wood/foam construction to create these gravity defying sculptures as well as the smaller ones, called Ninots which largely target children. Photos below the videos.

For an explanation of what this World Heritage event is all about, see Fallas- what it’s all about

Here is a link to the midnight fireworks of March 17, in the City of Arts section of Valencia

Here is March 17th mascleta at 2 pm at the main square

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In the Rusafa neighborhood of Valencia.

Huge numbers of people arrive from all over Spain, Europe and the rest of the world. It is a family centered event. Kids as well as adults participate in just about everything. There are food trucks and cocktail stands galore, with very little drunkenness especially considering the numbers. It is loud, with firecrackers readily available and employed even by the smallest of children, generally following the requirements of adult supervision and training for members of the Casals, the clubs that organize the sculpture production and doa lot of the partying as well as sponsoring the Fallera Mayor and Fallera Infantil, the adult and child queens of the entire event.

https://www.flickr.com/photos/195152940@N05/53595108564/in/dateposted-public/
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A good time in the lights of the Rusafa neighborhood
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The Fallas Pilar in construction, going on to place third in the Special Classs (the biggest sculptures)
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We watched them add pieces to the Pilar Fallas
Pilar 2

Umberto Ecco

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Umberto Ecco, Conte pencil, 32 x 50 cm/ 12.5 x 19.5″

Umberto Ecco (1932-2016) was a medievalist, philosopher, semiotician, novelist, cultural critic, and political and social commentator. He is best known for his popular 1980 novel The Name of the Rose, made into the movie with Sean Connery playing the leading role. The novel is a tour de force of intricacies of medieval theology. Foucault’s Pendulum pokes fun, again intricately, at conspiracy theory, while Prague Cemetery revisits the plots of the Risorgimento. Another of my heroes. He taught at the University of Bologna, which we visited along with the Focault pendulum then swinging in the cathedral. Portrait in Conte.

Pianist Singer Ballerina II

Pianist Singer Ballerina
Pianist Singer Ballerina, Acrylics on Canvas, 100 x 73 cm, 40 x 29″

This is the third painting featuring the pianist. The first is a realistic depiction

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Pianist and SInger

The second, completed just a month or so ago, appeared in the Street Art Fair in Picanya, Spain

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Pianist Singer Ballerina, 1.5 x 1.3 meters, acrylics