Flood stories from Picanya

It was getting dark when we boarded the Picanya metro replacement bus, but there was enough light to see the fields of cars piled 4 and 5 high in fields near Paiporta. You can still see white bits of clothing and paper scattered about, sticking onto small trees and broken branches, left there by the raging waters. Unfortunately the bus was going too fast for shooting photos. On the walk into the center of Picanya from the bus stop, this being further away from the Rambla than the center of town, there was little sign of damage other than undamaged cars had obviously been driven on muddy streets, their windshields splattered, their tires terracotta colored, the paint badly in need of a wash.

We were on our way to see the youngest children of Picanya sing seasonal songs, starting in the center of town at the Centro Cultural. They wore traditional outfits, and were accompanied guitars, bells and a dulzaina, a traditional instrument in the oboe family. I called it a ‘squeaky’ for obvious reasons- they are not easy to listen to. Once we walked out of a concert where there were twenty of them. Insufferable. But here they fit in, part of the culture.

stage 1
At the Centro Cultural. The church was damaged and is here temporarily.
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The water came up to the top step in the photo.
traditional outfits
Children in traditional garb

We went to a second location with the the children (they sang at 9), an ancient convent’s garden, then made our way with our friend M through town, first for a coffee at one of the local bars. They serve coffee, beer, wine and the like, as well as various pastries and gelato with loudly colored ice creams under glass at the entrance. Then we walked through town to M’s house across the Rambla del Rozo, the artery for the flood waters. In town you can see the high water mark at around waist level. Many structures with ground level installations, apartments and businesses, were still closed, but the bars, hairdressers etc are up and running.

As you approach the Rambla the streets slope downwards to where the pedestrian bridge once was. It’s laying on its side, replaced by a temporary pedestrian bridge installed by the army engineers. A smell of rot is in the air. Photos of volunteers and soldiers are attached to the fence. The Rambla, once lushly vegetated, including a tree from which I once pulled a few ripe figs, is now stripped of everything green and gone is the waist high wall that kept people and their cars from going over the edge and down the 10 meters or so to the bottom of the normally dry gully.

house damage 1
Nothing at ground level is inhabitable
remains of the ped bridge Picanya
Vegetation and wall stripped away by the ferocious current
Rambla del Pozo, Picanya
The same location as it was before the flood ripped things apart

There were 11 deaths in Picanya. One was a young woman who was found between cars. Apparently she was carried there from Chiva. A young man survived after being whisked downstream from here to Paiporta, a distance of about 2 kilometers, a bit over a mile. He beat the odds, didn’t he.

We went inside M’s house. A temporary plywood doorway was installed to replace the large heavy door that the flood had ripped from its hinges. Inside on the ground floor there was a half meter/18″ of mud that relatives shoveled out. They then cleaned and disinfected everything. The ceramic wall tiles are largely intact, with just a few broken ones. The hallway was flooded to some two meters in height. The garage door was ripped off. The car was pulled out, floated to the corner, where it took a left, went a block and parallel parked!

There had been six or seven floods during the fifty plus years she’s lived in this house, but never anything like this, including the disastrous flood of 1957 that led to the re-routing of the Turia River. Without that re-rerouting, the city of Valencia would have been a major disaster area, the streets around our apartment surrounded by waist deep water and a half meter of mud, with many times the number of ruined cars.

Live Your Dreams- Art on the Street in Valencia

chanteuse final full sm

My contribution to the L’Art de Career (Valenciano for Art on the Street) in Picanya, a small town on the south side of Valencia.   It was sponsored by the Women of Picanya  http://www.picanya.org/persones/dones/activitats.  There are about 50 pieces hanging from the balconies celebrating women through March 20 2022.

Here are my comments:  

Vivir tus sueños (Live Your Dreams)

This expressionist piece is about living our dreams, our desire to become who we want to be, to accomplish what we want to accomplish.  We all seek the path we find most attractive.

Expressionism rejects the restrictions of realism while remaining largely figurative-  you can recognize the object even if it’s not realistic.  It also can include abstract elements.  Here there are four  women, two playing musical instruments, one singing.  The fourth dreams of her possibilities.  Not all the figures are attractive- beauty is not a requirement for success.  There are two muses in the upper left and a third on the bottom left. They inspire the dreams.

The dreams of our youth influence the rest of our life.  Those of our mature years, our 30’s and 40’s, are increasingly influenced by experience. As we continue to age, we tend to become more realistic but still can have our dreams, guiding our later years.

Vivir tus sueños (Live Your Dreams)



Esta obra expresionista trata el tema de los sueños que las personas tenemos, nuestras ganas de ser quien queremos ser, de lograr lo que queremos lograr. Cada uno de nosotros busca la libertad de seguir el camino que más nos atrae.

El Expresionismo rechaza las restricciones del realismo, y por eso nos permite explorar formas y figuras con menos límites. En esta obra, se ve a cuatro mujeres, dos que tocan instrumentos musicales, otra que baila. La cuarta mujer sueña con las posibilidades. También se ve a dos musas a la izquierda y otra al fondo quienes le inspiran a ella. Las musas vuelan en su mundo, invitándonos a explorar mundos nuevos.

Los sueños de nuestra juventud influyen al resto de nuestra vida. Los sueños de nuestros días más maduros, en torno a la edad de 30 y 40 años, se ven más influenciados por las experiencias que hemos tenido, haciéndonos más realistas, y reconociendo nuestros
límites. Según vamos envejeciendo, volvemos a explorar nuestros sueños de una forma menos condicionada, ya que, en este periodo tenemos más tiempo libre y posiblemente más recursos disponibles, los sueños nos guían otra vez.

Live Your Dreams
Live Your Dreams
With friends
With friends in Picanya
INVITACIÓ ACTE HOMENATGE C.C. ART 2022

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