I am impressed with what’s on offer in Greece, both the raw ingredients and prepared foods either in restaurants or in the grocery stores. Commonly used spices include allspice, cardamon, cloves, coriander, mahlab, mastic (also an after dinner drink), nutmeg, saffron, and sumac. I suggest you forget about ordering moussaka and pastitsio while here as they are not any different from what you get in Greek restaurants abroad. In addition, mussaka is not traditional, being of 20th century origin, introduced by Nikolaos Tselementes, a Greek chef who worked in the St. Moritz Hotel in New York. Greek salad is everywhere and not as good as I have had in Greek restaurants abroad, lacking the dressing that gives the salad its zing, also lacking the spicy jarred peppers. There is a slice of feta atop, which is quite good but I find it lacks integration, and would be better if cubed. I suggest skipping it and trying some of the other salads or even the cooked vegetable side dishes.
Not to worry about losing these three dishes! There is a great deal to enjoy as you explore this complex, sophisticated cuisine. The Greeks love grilled meats. These they generally call souvlaki, served on a skewer sometimes with grilled vegetables. The meat is very tender, often marinated. Throw it on a pita bread and you have an inexpensive lunch, about 2.5 euros. A gyro is the equivalent of the kebab, which is the meat grilled on a vertical spit then shaved. You will find beef, chicken, pork and to a lesser extent lamb. Sandwiches may have fries inside. They are limp, as are those ordered separately or included in quantity. Fries in Greece do not rank with those of France, Belgium and Nederlands in my book, where they know how to fry them: a second time to make them crispy.
Saganaki is a fried cheese, the name coming from the pan in which the cheese is fried. The cheese is usually graviera, kefalograviera, halloumi, kasseri, kefalotyri, or sheep’s milk feta. Mussels or shrimp saganaki are served in a superb tomato base. The mussels I tried were heavenly at a small place near the port. The shrimp was in one case superb and in the other the sauce tasted like an Italian was in the kitchen, very good but not it did not seem Greek to me.
We have had several stews that were outstanding and which cost no more than 8 euros at a non-tourist restaurant. One near us called their dish “pork bites.” I have no idea what it is made from but a very rich flavor and amazingly tender pork. There are probably hundreds of recipes. The meat in general has been very tender and juicy, a matter of good igredients and technique.
There is a variety of cheese pies, in addition to spanakopita. Tiropita (or tyropita) is made from the usual layers of filo dough filled with a cheese and egg mixture. There are dozens of versions of these pies, served as main dishes or as snacks from the bakeries.
I have tried several main course vegetable dishes. The eggplant at our local restaurant called the Olýmpion (Anapafseos 9, Athina 116 36) is a whole eggplant split in half. In Syros at a cafeteria I tried the okra. Best okra I have ever tasted! I have seen bean dishes but have not tried any. Moussaka and pastitsio are available especially in tourist areas but not being a fan of bechamel I have avoided them.
okra!
Bakeries offer a wide selection of crusty bread, not as crunchy a crust as the bread that you get in Italy (the stuff you get in the US called Italian bread is a pale imitation). I was surprised to find a huge variety of bread sticks, much better than the tasteless crostini you sometimes find in Italy and the US. In Rome and other Italian cities you can find an excellent bread stick, a thick crusty one with sesame seeds, that are still my favorite even after tasting many of the Greek varieties. The Greek versions are nearly as good but there are many more varieties to choose from and they are widely available, although they do not serve them in restaurants. The restaurant bread is generally of high quality bakery bread.
An excellent olive bread
bread sticks
The desserts are amazing. They are primarily made with honey, nuts, cream and fruit. There is the usual baklava, large servings rather than the tiny diamonds one finds in the US. Bougatsa is also made with filo then filled with a creamy custard. Diples are fried turnovers. Halva is made with with semolina flour or sesame with raisins and cinnamon. Melomakarona are soft cookies dipped in honey or syrup then covered with walnuts. At the Acropolis museum I had a kind of nut cake. I think there was nutmeg. I did not taste any honey. Kataifi is made with a dough that lookes like shredded wheat. You add walnuts and perhaps other nuts), clove and cinnamon, and covered with a lemon scented syrup. Wow!
The dessert possibilities are nearly endless. Writing this is making me hungry so I am stopping here.
The market near our house is top notch. Olives, melons, figs. Greens! The Greeks love greens. There are several varieties of cicoria like in Italy. They sell beet greens, and various forms of endive and a variety of lettuces. And reasonable prices, if not sometimes dirt cheap.
figs!eggplant, peppers and moregreens! Nuts in bulk
Wine. The white is very good, even the inexpensive ones. You can get a half liter of the house white for 4 to 6 euros and not be disappointed. We have only found one good red house wine and have spent as much as 13 euros for a bottle and still not found anything worth mentioning. Per one commentary, ” For fans of lively whites like Sauvignon Blanc and Albariño, Greek white wines offer astounding quality for a reasonable cost. While Greek reds are not as uniformly compelling, the best bottlings are terrific.” Stick with the white or spend a lot.
After almost a month here I have barely begun to know the Greek kitchen. I certainly have a new appreciation for it.
This is another in my Hopper series, this one inspired by Hopper’s Automat. Strong lines contrast with fuzziness in the figures, overhead lighting with the darkness outdoors, the comparative focus of the indoor scene with the night, a feeling of having conquered the uncertainty of the darkness but with but a slim barrier of safety.
The Acropolis overlooks Athens on a limestone outcropping providing great views of the city and inspiring views of the temples from below, the Parthenon being the most prominent. Its defensive properties no doubt appealed to early inhabitants. Evidence of their interest dates to the 4th millennium BCE. The Mycenaean Megaron palace was probably built here during the late bronze age. The temple to Athena Polias came circa 550 BCE, a bit after the Old Temple of Athena. A structure called the Older Parthenon was started circa 500 BCE but sacked by the Persians, who destroyed and looted the city. Elements of that structure were used to build the curtain wall still visible today. Pericles (circa 495–429 BCE) built the Parthenon, the Propylaia, the Erechtheion and the Temple of Athena Nike.
Parthenon at Dusk, pen and ink, 15 x 21 cm/ 6 x 8 “
During the Hellenistic and Roman periods there were significant repairs to the temples. The Parthenon was used as a church during the Byzantine period. During the Duchy of Athens, founded by Crusaders, the Acropolis was the administrative center. The Propylaia, the monumental entrance to the Acropolis, was part of the Ducal palace. A large tower was added to the Propylaia but later demolished.
The Propylaia
It was the Venetians who most seriously damaged the Parthenon. In 1687 it was largely intact until gunpowder stored in the Parthenon exploded after it was struck by a cannonball. Columns fell, the roof collapsed. This accounts for its appearance before the renovations began in the 1990’s.
The Parthenon
Temple of Erechtheion or Erechtheum
Caryatid at Temple of Erechtheion, pen and ink, at the Museum
In 1801 Thomas Bruce, the Earl of Elgin, transported sculptures to England with permission of the Ottomans. These were later sold to the British Museum where they remain to this day, much to the chagrin of the Greeks, who call it a theft. After the Greeks became independent from the Ottoman Empire in 1830, anything from the Byzantine, Duchy (124-1500) and Ottoman periods were removed.
The columns of the Parthenon are now being restored and put in place. Some of the 19th century restorations to the columns are being redone as the columns were incorrectly assembled. Over 2000 tons of marble elements have been restored to date using new Pentelic, the same marble the ancients used. It is white so you can distinguish it from the older marble, which has a yellow tint. This marble comes from the region northeast of Athens.
For further information visit the Acropolis Museum to watch the excellent videos. Also click the links below.
Inspired by the fabulous architecture of Antonio Gaudi, the turn of the century architect who gave Barcelona some of the most fabulous buildings on earth.
Gaudi Jazz , acrylics on Canson 300 gram water color paper, 30 x 40 cm/11.8 x 15.7″
The National Archaeological Museum in Athens is one of the world’s finest of its type and competes with the best of any type. The collection is stupendous and the display and organization are top notch. Here are some of the photos we took during our visit.
We boarded the train for Athens in Thessaloniki a week ago for the 4 hour journey, waving to the gods as we passed Mount Olympus, ducking a lighting bolt chucked our way. These gods dislike non-believers, apparently.
Mount Olympus
The dry land between us and the gods supports cotton fields and olive groves. White stucco houses populate the small villages sitting in the bright sun under cerulean blue skies.
From Athens surprisingly small central train station we took a taxi to our apartment, from whence it is a short walk to a lovely view of the Acropolis, with the Olympic stadium at our feet and at its original site. Here terminated the run from a town called Marathon when, in 490 BCE, a vastly outnumbered Athenian army defeated the Persians.
The next day we walked the 2 kilometers to the Acropolis – acro meaning high point, polis meaning city. The temples there evoke both vast appreciation for the skills of the ancient Greeks and a sadness for all that has been lost, much of it in fairly recent times with the explosion of stockpiled weapons and the removal if not theft of sculptures and more by the British, whose impressive collection resides in the British Museum.
Parthenon at Dusk, pen and ink, 15 x 21 cm/ 6 x 8 “
The Parthenon is the largest of the structures atop the outcropping. It dates to 447 BC when Athens was at its zenith. The temple is a superb example of Doric style that I speculate came from the invading Doric tribe who settled in a place called Sparta. The temple gave home to a 13 meter, 40 foot wooden sculpture of Athena, clad with precious metals and accompanied by her snake and shield. The goddess who gave her name to this city is no longer is with us, so I was spared the lightning bolt. Per the video we know what she looked like and how she was adorned, an altogether impressive sight to greet those who climbed the steep hill to pay their respects.
The sculptures and friezes that adorned the temples were legion. There were 92 elements to the frieze atop the Parthenon alone. An impressive number survive to this day. Here a few examples:
Multiple busts in the museum
My pen and ink sketch of one of the statues in the Acropoli Museum. I was particularly impressed with the flowing robes.
The Parthenon as of the day we visited. There is one crane in operation currently.
My favorite temple is this small one, for the caryatids that support the roof. Another fabulous view beyond.
The originals are in the museum:
These are the actual caryatids, in the museum
The reconstruction of the Parthenon continues, as well documented in the films shown in the Museum, located near the base of the outcropping upon which the temples rest. In the films workers chisel on marble, showing also the templates they use to match the ancient designs. The old stone has a yellow tinge compared to the bright white of the new so you can see what changes have been made.
view of Acropolis from its museum
Modern cranes effortlessly lift the repaired columns with their older bits now joined with new stone. There is a model of an ancient crane, hand cranked yet capable of raising the original columns as well.
Perhaps the most gorgeous piece in the museum is the floral decor that was on the pediment of the Parthenon:
floral decor on the pediment of the Parthenon
Below the temples is the Odeon Theater, still in use. It is next to the Theater of Dionysus. The black bags in the photo contain seat cushions wrapped for protection from the elements. The acoustics are excellent. I could hear Peg despite the noise of the crowd as I sat about half way up. We wonder if the sound was even better in the days of Euripides and Sophocles when it was at its peak of completion. Great views abound.
== The Odeon
Dionysus Theater
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