Category: People and portraits

  • Nicholas Roerich

    Nicholas Roerich  (1874 St Petersburg-1947 Nagar India) was the teacher of a British American named Ralph Houstin, whom I followed during my Buddhist years.  He was a noted as a proponent of peace, painter, writer, archaeologist, and a theosophist.  He was born to a well-to-do family, and graduated from both art and law school.  He directed Imperial Society for the Encouragement of the Arts,  from 1906 to 1917.   He was President of the “World of Art” society from 1910 to 1916.  Later he earned nominations for the Nobel Peace Prize long list, and the Roerich Pact was signed by the United States in April 1935.  Formally entitled the Treaty on the Protection of Artistic and Scientific Institutions and Historic Monuments,  it commits signatories to the preservation of cultural heritage in time of war.

    Nicholas Roerich
    Nicholas Roerich I did this from a portrait in Borse Musem 

    Nicolas also was a stage designer.   Diaghilev’s “Ballet Russes”,  Borodin’s “Prince Igor,” and Stravinsky’s magnificent “Rite of Spring ” (both costumes and set) are on his list of credits.

    Roerich engaged in a number of expeditions in Asia, and at one point was detained by the government for five months in Tibet under harsh winter conditions.   I read his account in a book called, “Altai Himalya.”  His purposes appear to have been archaeological but he asked for and received support from the Bolshevik government, promising to keep on eye on the British.   He resided in the U.S. in the run up to WWII, becoming close to Henry Wallace, V.P. under Roosevelt and later a presidential candidate, who was a fan of both Roerich and his wife Helena, whose letters were published.

    The Nicholas Roerich Museum in New York City is a major repository of his c work.   Roerich societies continue to promote his mystical teachings.

    His paintings are in the Roerich Musem, the  Department of the State Museum of Oriental Arts in Moscow, the Roerich Museum at the International Centre in Moscow and the the Russian State Museum in Saint Petersburg, Russia.  There is a collection in the Tretyakov Gallery in Moscow, in the Art Museum in Novosibirsk, Russia, the National Gallery for Foreign Art in SofiaBulgaria, the Art Museum in Nizhny Novgorod Russia, the National Museum of Serbia,  the Roerich Hall Estate in NaggarIndia, the Sree Chitra Art GalleryThiruvananthapuram, India;[17] and several of his larger works in The Latvian National Museum of Art.  I did the drawing you see here at the Borsa Museum in Riga, Latvia, at a temporary exhibit of this work.  

    In June 2013 his Madonna Laboris sold at auction £7,881,250, the highest price ever for Russian art at auction.  This piece, like so many, are in a dreamy purple haze with strong religious overtones. 

     

    Madona Laboris
    Madona Laboris
  • Couple in Vilnius

     

    Among the notable things in Vilnius, the capitol of Lithuania,  are the spires and the architecture, featured in the background of this painting.  Lithuania is nominally a Roman Catholic country, with 75% of the population purportedly members.  However the statistics show that half the population does not believe in the Christian deity.  I have portrayed the irony of this apparent contradiction through the unusual placement and distortion of the spires, which serve at once to unite and divide the couple.

    Couple in Vilnius, acrylics on paper, 11.7 x 16.5", A4 30 x 42 cm
    Couple in Vilnius, acrylics on paper, 11.7 x 16.5″, A4 30 x 42 cm

     

  • Artemesia Gentileschi, one of the best painters of the 1600’s and among the world’s best

    Artemesia Gentileschi, one of the best painters of the 1600’s and among the world’s best

    Artemesia Gentileschi, one of few women painters in the 1600’s, and among the finest of either sex.

    Born in Florence in the Baroque era, Artemesia (1593 – c. 1656) was one of the finest painters of her day, and the only one of her sex to achieve recognition.  She was the first woman to become a member of the Accademia di Arte del Disegno in Florence was employed by patrons from the Papal states Italy, Naples, and England.   Her father Orazio was also very well known and respected as a painter, sharing his knowledge with her  from an early age, yet for years they were estranged until possibly near the very end of his life when they worked together in London for the royal family. 

    Her most famous painting is Judith Slaying Holofernes, a bloody affair that demonstrates her powerful use of light and shadow allo Caravaggio.  She made use of her own image in this and many of other paintings.

    Judith Slaying Holofernes
    Susanna and the Elders (1610). She was 17

    Her success was threatened in the earlier years by the crime to which she was subject, and the subsequent trial.  In 1611 at age 18 she was raped by Agostino Tassi, a painter Orazio hired to tutor her.   At that time if you were raped and the rapist promised to marry you, rape was acceptable provided the promise was kept.  She continued having sex with Tassi but he reneged on the marriage commitment – her continued relations with him was not considered exculpatory of his behavior.  At the time he was still married and having a sexual relation with his sister in law as well.  Part of the trial ordeal was a required gynecological exam.  In addition all witnesses had to undergo torture.  Their testimony would be deemed credible if they did not change their story.  The prosecution was carried out not by her but her father as women did not have standing in these matters.  Tassi was found guilty and sentenced to five years or banishment from Rome.  He chose the former.

     

     

    My Ode to Artesimia, acrylics on acrylic paper, 21 x 29.7 cm, 8.3 x 1
    St Cecilia Playing a Lute

    She handles light beautifully, her underlying drawings are magnificent.  

    Lucretia

    She married a Florentine artist recommended to her by a friend, to which her father grudgingly assented, as was required if she were to marry anyone.  Pierantonio Stiattessi was also a painter but not of her stature.  He helped her get commissions, fathered their daughter Prudentia but later became a burden.  They spent most of her married years apart despite a very good beginning.  During these early years in Florence she was accepted into the prestigious Accademia di Arte del Disegno, which also required the approval of her father.  During this period Michelangelo Buonarrot, the Michelangelo’s nephew, asked her and other artists to contribute a painting to the house he was building to honor his uncle.  

    Allegory of the Inclination (natural talent)
    Allegory of the Inclination

    Her letters reveal a love affair with a wealthy Florentine named Maringhi .  Her husband wrote to her lover in friendly terms using the backside of her love letters.  Perhaps Maringhi provided financial or other forms of assistance. By 1621 she and her husband were no longer cohabiting, and she had returned to Rome.  She found less success there than in Florence, and by 1630 she moved to Naples, finding lucrative work with the Viceroy.  In 1638 she went to London to help her father with a ceiling for which he had been commissioned. 

    In Alexandra LaPierre’s Artemesia their reunion was awkward at best, coming after 25 years of separation.  LaPierre portrays Orazio as fearful of being outranked by his daughter.  By 1642 she had finished the work he had been hired to do,  leaving England some two years following her father’s sudden death in 1639.  She disappears from the records until 1648, when she is back in Naples

    While it is true that there were few women painters in this period, there were others.  Italians of the era were Sofonisba Anguissola, Lavinia Fontana, and Fede Galizia.  Per LaPierre, Artemesia’s success in Naples encouraged a number of female competitors.  

    Judith and Her Maid Servant
    Judith and Her Maid Servant.  Her treatment of robes is as good as anyone’s.

    Most of her paintings feature women as protagonists.  While most women were portrayed demurely, her’s were strong and uninhibited, and making a mark in history.  

    For a broader view of women in art in that era see the video by Art Historian Dr. Vida Hull

    [embedyt] https://www.youtube.com/watch?v=KldzQxoS5-U[/embedyt]

    There is a good article on wiki if you want more information.   wiki on Artemisia Gentileschi  I highly recommend LaPierre’s historical novel referenced above.  There a very good video on youtube.   The producer expresses outrage at the lack of exposure of this fine painter.  https://www.youtube.com/watch?v=BoYF2rjCG68

     

     

     

     

  • Redhead with Friends, watercolor painting

    Redhead with Friends

    Redhead with Friends
    Redhead with Friends, watercolor and ink on acrylic paper, 21 x 29.7 cm, 8.3 x 11.7″

     

     

     

     

     

     

     

     

     

     

  • Young Chechen Man

    Young Chechen Man

    In the streets of St Petersburg you see people from all over Russia.

    Young Chechnyan Man
    Young Chechen Man, acrylics on acrylic paper, 21 x 29.7 cm, 8.3

     

     

     

     

     

  • Portrait of Young Siberian Woman

    Portrait of Young Siberian Woman

    Some of the people from the far north are ghost like as they roam the streets of St Petersburg.  This young woman is from Siberia. 

     

    Young Siberian Woman
    Young Siberian Woman
    Young Siberian Woman, on acrylic paper, 21 x 29.7 cm, 8.3 x 11.7″
  • Portrait of Vladimir Vladimirovich Kara-Murza, Russian journalist

    Portrait of Vladimir Vladimirovich Kara-Murza, Russian journalist

    Twice poisoned journalist and opposition leader Vladimir Vladimirovich Kara-Murza.  Story below.

    Vladimir Kara-Murza
    Vladimir Kara-Murza activist journalist poisoned, acrylics on acrylic paper, 21 x 29.7 cm, 8.3″ x 11.7″

     

    Vladimir Kara-Murza detail
    Vladimir Kara-Murza detail
    Vladimir Kara-Murza
    Vladimir Kara-Murza
    Vladimir Kara-Murza
    Vladimir Kara-Murza

     

     

    He is a well known opposition activist who has faced life threatening conditions twice over the past several years resulting from apparent attempts to assassinate him by poisoning.  Close friend Boris Nemtsov, also an opposition leader, was shot and killed near the Kremlin in 2015.

     

    Sen. Marco Rubio, R-Fla., called on the Trump administration and new U.S. Secretary of State Rex Tillerson to “make Kara-Murza’s cause America’s cause,” to question Russian authorities on the incident and to “ultimately hold Putin accountable if he was targeted by the regime.”   Trump has not announced any action and given his unwilling to criticize Putin for anything at all he probably won’t do anything in response.

    https://www.usatoday.com/story/news/2017/02/03/russian-activist-felled-2015-suspected-poisoning-hospitalized-similar-symptoms/97437612/

  • Portrait of Russian Man with Hat

    Portrait of Russian Man with Hat

     

     

    Russian Man
    Russian Man, acrylics on acrylic paper, 21 x 29.7 cm, 8.3″ x 11.7″
    Russian Man detail
    Russian Man detail

     

  • Portrait of Eastern Russian Woman

    Portrait of Eastern Russian Woman

     

     

    Eastern Russian Woman
    Eastern Russian Woman, acrylics on acrylic paper, 21 x 29.7 cm, 8.3″ x 11.7″

     

     

     

     

     

  • Russian faces: Siberian girl

    I’m always fascinated by the countless variations of the human face.  

     

    Siberian Girl
    Siberian Girl, acrylics on acrylic paper, 21 x 29.7 cm, 8.3″ x 11.7″
    Siberian Girl detail
    Siberian Girl detail
    Siberian Girl detail
    Siberian Girl detail