Messing around with conte pencils
Category: Art
-
Tkalciceva-Street, Zagreb at Night, watercolor
Tkalciceva-Street, Zagreb at Night, watercolor 24 32 cm/ 9.5 x 12.5″ 300 gram paper Zagreb is a lively city at night. The crowd is generally younger, in the 20’s and 30’s or thereabouts. They populate the bars especially, and the eateries do not seem to be suffering. There’s a lot of interesting architecture.
-
Church on the Sambre
Church on the Sambre (Belgium) , 24 x 32 cm, 9.5 x 12.5″ watercolor 300 gram paper Another in the series of paintings from a summer on the canals of Northern France, this ancient church on the Sambre River sits right on the river beneath a tree filled slope.
-
Castle on the Sambre II
Castle on the Sambre II, 24 x 32 cm/ 9 1/2 x 12″ watercolors Aboard our boat Viking we cruised the canals and rivers of Northern France and Belgium. Chateau, forests, hills, water scenes at every turn. I depicted scenes such as this in a style mixing realism, impressionism and expressionism. This is a second version of this gorgeous and charming bit of history on the Sambre.
-
Castle on the Sambre
Aboard our boat Viking we cruised the canals and rivers of Northern France and Belgium. Chateau, forests, hills, water scenes at every turn. I depicted scenes such as this in a style mixing realism, impressionism and expressionism.
Castle on the Sambre 24 x 32 cm 9.5 x 12.5″ approx -
Samois sur Seine, watercolor
Samois sur Seine, watercolor painting, 20 x 30 cm See my story at
-
At a Lock On the Marne
At a Lock, 32 x 24 cm, 12.5 x 9.5″ watercolor A dreamy summer on the canals of northern France.
-
Bridge over the Oise at Chateau de Creil
Bridge over the Oise at Chateau de Creil, watercolor, postcard size -
Boat on the Marne– acrylic painting
Boat on the Marne, 21 x 29 cm/8..3 x 11.7″ acrylics on watercolor paper The Marne is laden with grapes lining the hills, forests along the banks
-
Young Woman Glowing Smile
Young Woman, pen and ink This young woman’s radiant smile comes from within. I sought to express it. In previous epochs a smile was impossible to capture as sitters can not smile for hours at a time. Look at Leonardo’s famous smile- captivating but hardly expansive. But with photography, art changed in many ways and the ability to study the smile is one such change.
This is a study for a painting.










