Nicholas Roerich

Nicholas Roerich  (1874 St Petersburg-1947 Nagar India) was the teacher of a British American named Ralph Houstin, whom I followed during my Buddhist years.  He was a noted as a proponent of peace, painter, writer, archaeologist, and a theosophist.  He was born to a well-to-do family, and graduated from both art and law school.  He directed Imperial Society for the Encouragement of the Arts,  from 1906 to 1917.   He was President of the “World of Art” society from 1910 to 1916.  Later he earned nominations for the Nobel Peace Prize long list, and the Roerich Pact was signed by the United States in April 1935.  Formally entitled the Treaty on the Protection of Artistic and Scientific Institutions and Historic Monuments,  it commits signatories to the preservation of cultural heritage in time of war.

Nicholas Roerich
Nicholas Roerich I did this from a portrait in Borse Musem 

Nicolas also was a stage designer.   Diaghilev’s “Ballet Russes”,  Borodin’s “Prince Igor,” and Stravinsky’s magnificent “Rite of Spring ” (both costumes and set) are on his list of credits.

Roerich engaged in a number of expeditions in Asia, and at one point was detained by the government for five months in Tibet under harsh winter conditions.   I read his account in a book called, “Altai Himalya.”  His purposes appear to have been archaeological but he asked for and received support from the Bolshevik government, promising to keep on eye on the British.   He resided in the U.S. in the run up to WWII, becoming close to Henry Wallace, V.P. under Roosevelt and later a presidential candidate, who was a fan of both Roerich and his wife Helena, whose letters were published.

The Nicholas Roerich Museum in New York City is a major repository of his c work.   Roerich societies continue to promote his mystical teachings.

His paintings are in the Roerich Musem, the  Department of the State Museum of Oriental Arts in Moscow, the Roerich Museum at the International Centre in Moscow and the the Russian State Museum in Saint Petersburg, Russia.  There is a collection in the Tretyakov Gallery in Moscow, in the Art Museum in Novosibirsk, Russia, the National Gallery for Foreign Art in SofiaBulgaria, the Art Museum in Nizhny Novgorod Russia, the National Museum of Serbia,  the Roerich Hall Estate in NaggarIndia, the Sree Chitra Art GalleryThiruvananthapuram, India;[17] and several of his larger works in The Latvian National Museum of Art.  I did the drawing you see here at the Borsa Museum in Riga, Latvia, at a temporary exhibit of this work.  

In June 2013 his Madonna Laboris sold at auction £7,881,250, the highest price ever for Russian art at auction.  This piece, like so many, are in a dreamy purple haze with strong religious overtones. 

 

Madona Laboris
Madona Laboris

Live at Sala Russafa- pen and ink drawings

Flamenco Fusion Sala Russafa pen and ink 21 x 15 cm, 8.3 x 5.9"
Flamenco Fusion Sala Russafa pen and ink 21 x 15 cm, 8.3 x 5.9″
American Folk Fusion Sala Russafa pen and ink 21 x 15 cm, 8.3 x 5.9"
American Folk Fusion Sala Russafa pen and ink 21 x 15 cm, 8.3 x 5.9″

I did these pen and ink drawings at the Berklee School of Music student concerts at Sala Russafa, Nov 11-13, 2017, except for the one at the bottom, which was at the year-end performance of the Valencia campus of the Berklee School of Music in pen and ink.

Did Caravaggio Predict Trump (print)

Did Caravaggio Predict Trump” uses the image of my original acrylic painting Trumpcissus, available on my website.. This mixed media creation adds new dimensions to the painting by using a news style magazine cover.   

Limited Edition (100) prints with original signature are made with a giclee printer, producing the highest quality prints obtainable.  The Unlimited Edition is a high quality print on watercolor type paper.   Certificate of authenticity on Limited Edition Prints

 

Did Caravaggio predict Trump, print 12" x 16" approx, 30 x 40 cm

digital painting, prints only

Couple in Vilnius

 

Among the notable things in Vilnius, the capitol of Lithuania,  are the spires and the architecture, featured in the background of this painting.  Lithuania is nominally a Roman Catholic country, with 75% of the population purportedly members.  However the statistics show that half the population does not believe in the Christian deity.  I have portrayed the irony of this apparent contradiction through the unusual placement and distortion of the spires, which serve at once to unite and divide the couple.

Couple in Vilnius, acrylics on paper, 11.7 x 16.5", A4 30 x 42 cm
Couple in Vilnius, acrylics on paper, 11.7 x 16.5″, A4 30 x 42 cm

 

Here we are in Vilnius

After a few days in the Latvian countryside, Kuldiga being of most interest, we hopped the bus taking us from Riga to Vilnius, the only Baltic republic we have yet to visit.  It’s a four-hour drive in the cold gray weather through flat, unremarkable countryside.  A few days later I had to make a return visit, having left my Italian passport on a pharmacist’s counter.  It was waiting for me at the Italian embassy in the heart of the old town.  It was just as uneventful.

The Baltic countries do not get much attention in US history classes but there is much of value and interest.  We’ve been to the Ducal Palace, reconstructed on site and now offering a rather detailed story of the country, much more important up to the 1800’s than it is now.  But the people here have Russia very looming on their borders, a Russia whose history of occupation dates to around 1700, with but a brief respite between the wars before the occupation resumed as the Nazis retreated.  In their world view, the history of their relationship with Russia is not a side-show, of course, nor is the past respect shown them by other European nations.  I expect to post more on this.  

The University of Vilnius is just a few minutes from our plain vanilla apartment.  I have posted some photos of the delightful, on the one hand, and strange art on the other hand, here University’s mural and fresco.

Not far from us as well is the Vytautas Kasiulis Art Museum, home of the paintings of Lithuania’s most famous painter, who came to light in Paris after escaping from his home country subsequent to the Soviet takeover.  It is art worth seeing.  His paintings are what I would term transitional, bridging the gap between the figurative and the abstract.  Over time he increasingly removes references to the substance of the image until he gets to the essence, still figurative but just a tad away from abstraction.  These photos are from the museum that bears his name, Vytautas Kasiulis

Vytautas Kasiulis, earlier piece

Vytautas Kasiulis toward abstraction 

Vytautas Kasiulis, towards abstraction

 

The old town section is, like that of Tallinn and Riga to the north, is a World Heritage site and the main attraction.  

 

I think this is called The Sisters

Vilnius architecture

Vilnius Cathedral, some of its art

Vilnius Cathedral

No visit to any of these countries would be complete without a visit to what the locals call “The Dark History,”  referring to the Nazi and Soviet occupations.  Here as in Riga you can visit the Gestapo/KGB head quarters for a look at this grim period.  It does not seem that the extent of spying on its citizens compares with what happened in East Germany, but the torture, imprisonment and deportation to the sparsely populated areas of the Soviet Union are, and they’ve well documented in the museum.  The museum visit includes the dank cellar with its torture, isolation and execution chambers.

 

Solitary confinement, barely big enough to sit in

 

 

 

 

 

 

 

 

 

I’ll have some notes on the more cherry subject of the hope-you-like-pork cuisine – and what other observations I might have about the culture, such as the dearth of beauty parlors.  They have salons where you can get your hair combed out, though.  

 

 

Some strange art and impressive art at the University of Vilnius

Petras Repšys  (1940) painted a rather strange set of scenes on the ceiling and walls of a room at the University of Vilnius.  It is worth a look.  He is a graduate of Vilnius Art Institute (1967)  Works in sheet, book, graphic arts, ex libris, easel paintings, frescoes, sculptures, medals. The exilibrisus began to develop in 1969 .  Here are some photos of his fresco “Seasons of the Year,” executed from (1974-1984).

Petras Repšys Seasons of the Year

Petras Repšys Seasons of the Year

Petras Repšys Seasons of the Year

Petras Repšys Seasons of the Year

 

For further information consult https://lt.wikipedia.org/wiki/Petras_Rep%C5%A1ys

On the ground floor you will find the fabulous ceiling of the University book store

U of Vilnius book store

U of Vilnius book store

U of Vilnius book store

U of Vilnius book store

U of Vilnius book store

U of Vilnius book store

U of Vilnius book store

Band at El Carmen

band at el carmen
Band at El Carmen, acrylics, 8.25 x 16.6, 30 x 40 cm

Band at El Carmen, 12th century monastery in Valencia. They performed during an event I attended. These monasteries were once brightly painted, but not like this!  I have the freedom to decorate the Gothic arches as I please, and I like them bouncing off the page.