Sicily: The Leopard to Serpotta

Sicily was ruled by Spain’s Bourbon dynasty. The Spanish lost this kingdom when The Leopard leaped.

Sicily was once ruled by the Bourbons, who held the Spanish throne. The country the Bourbons ruled came to be called The Kingdom of the Two Sicilies. Why two? It was formed when the Bourbons united two kingdoms both called Sicily. The northern half, formally called the Kingdom of Naples but commonly referred to as the Kingdom of Sicily, ranged from Naples all the way south on mainland Italy. This area today is called the Mezzogiorno. In 1816 this Kingdom of Naples merged with the Kingdom of Sicily (the island) under the Bourbons forming the Kingdom of the Two Sicilies.

Leaping Leopards!

In 1957 Giuseppe Tomasi di Lampedusa wrote The Leopard, a novel about the unification of Sicily with the then recently established country we now call Italy. Tomasi was the last in a line of minor princes. The main character of the book is his great-grandfather, Don Giulio Fabrizio Tomasi, the Prince of Lampedusa. Lampedusa is an island. Tomasi died before the book was published. The Leopard became the top selling novel in Italian history, while winning prestigious awards. In 1959 it was made into a movie, and there is now a series on Netflix.

Before the unification (the Risorgimento), Italy was divided into city states. The Pope, for example, ruled Rome and the area around it and south to Naples. The Leopard is about how Sicily became part of the new country with the “invasion” of Garibaldi, leading a mere 1000 soldiers. Clearly there wasn’t much resistance.

The Circle Trip

So here I am now in modern Sicily formed by the Leaping Leopard. And what did I come to see yet again? Ancient Sicily, and there’s a lot of it. You land in Palermo or Catania, join a tour or rent a car and do your own, as I do. Driving is not too difficult if you don’t mind sharing the road with the Italians, who have a rather aggressive driving style.

I started in Catania. There is a neat old Basilica Cattedrale Sant’Agata (1078 though rebuilt after earthquakes), the nearby Roman amphitheater, the Monastero dei Benedettini (16th c), and Ursino Castle from the 13th century, which houses the Civic Museum of Catania. Il Museo Arte Contemporanea Sicilia is small but worth a visit. A walk through the old town displays its ancient character. While Catania is generally unkempt and unattractive, it’s better in the old center.

Mt Etna smokes just an hour’s drive uphill. As usual in Italy there will be some Mario Andretti on your behind, until he finds a bit of a stretch so he can zoom past. Etna is no joke. She erupted again on June 2, just two days after we drove to the southern peak. You’d appreciate the fast drivers if the eruption occurred while you were up there.

From Catania you can go south along the coast to Siracusa (Syracuse in English). It was founded by Greeks circa 733 BCE, becoming the most important city of Magna Grecia, the area comprising southern Italy . There are two main reasons for going to Siracusa. The island of Ortigia is one. The oldest part of the city, it contains the Cattedrale Metropolitana della Natività di Maria Santissima, a UNESCO site. The stately Cathedral dates from the 7th century, with Roman era columns still holding up the roof. Further along through ancient narrow streets and allies there’s the old castle guarding the harbor.

The second main attraction is https://parchiarcheologici.regione.sicilia.it/en/parco-archeologico-di-siracusa-eloro-villa-del-tellaro-e-akrai/ It has a Greek and Roman amphitheater and some mighty big caves. Somewhere I read that the caves were used by the local oracles to deliver their vague premonitions. There are ancient bronze statues (copies) here and there on the expansive grounds There are catacombs nearby.

Sicily has more Greek temples than Greece. From Siracusa you zoom around the coast to the valley of the Temples in Agrigento, a bit inland. Concordia is the most intact. Selinunte, an even larger collection of temples residing on the beautiful coast, is not terribly far. Founded around 628 BCE, Selinunte was one of the most important Greek colonies on the island.

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Selinunte Beach, watercolor 10 x 15cm/4 x 6″ If you walk the length of the park you have this view
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Frieze from Selinunte in the archaeology museum in Palermo
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Temple of Hercules, Selinunte
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Tempio della Concordia, Agrigento
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Ruins of Selinunte
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Temple of Juno, Agrigento

After Selinunte I made a side trip with my daughter and family to Partanna. My grandfather was born there and my grandmother not far away in Santa Ninfa. The drive through the countryside reveals the intensity of its agriculture, and just as you arrive in Partanna there are huge olive oil and wine storage tanks along the main road.

You get a sense of where you come from when you visit your roots. We don’t just pop out of nowhere. There’s a long history behind us, many stories to be told, many we will never uncover. I have one of my own: to this day I do not know who was the father of my uncle Matteo, born to my grandmother. His birth certificate is silent on the matter.

We continued on to Erice, a small town perched on the top of a mountain. You climb to the top via numerous tight and often very steep switchbacks. The stone village has fabulous views of the sea on one side, Trapani on another with its salt drying ponds sparkling under the sun, and extensive agricultural lands elsewhere. We stayed in Villa San Giovanni. The old building is fun to be in. The rooms are a bit dated and basic, but it’s tough to beat the views.

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View from our hotel in Erice
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Real Duomo (Chiesa Madre di Erice)
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Castello Pepoli
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More on Erice from my previous visit is here https://garyjkirkpatrick.com/erice-ancient-mountain-top-village-on-the-coast/

There are great views as you drive along the coast to Palermo, with mountains on one side and the coast on the other. We stopped for one night at a beach apartment, the sandy beach just a five minute walk.

Palermo was settled by the Phoenicians in 734 BCE. The fabulous decorations of the Greek temples in Selinunte Archaeological Park is in the https://www.regione.sicilia.it/beniculturali/salinas/. You’ll be floored by what’s on the walls there. Otherwise Palermo is about the churches and the fabulous art within.

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Palermo’s Cathedral at night

For many the highlight of a visit to Palermo, aside from the cuisine of course, is the church art of Giacomo Serpotta, 1656 –1732. His stucco (plaster) sculpture in the Rococco style will stun even the most casual visitor. His was a self-taught master of this highly detailed realism. According to the free of charge guide he added marble dust to the plaster for sparkle and added strength. His brother and son were also in the church decoration business.

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The work of Serputta in the Oratorio of San Lorenzo. San Lorenzo martyrdom is depicted

Church architecture in Palermo runs the gamut, from Norman to Baroque. The must see Arab -Norman Palace (11th) dates from Norman times but was built over centuries so you get them all. The Palermo Cathedral is huge, with 17th century paintings and a great painting in the aspe ceiling.

The Duomo of Monreale, which you get to by bus or car, is loaded with Byzantine style mosaics. Just superb! It was built by the Norman kings William II, 1166-89. Who woulda thunk it? Probably not even my blond, blue-eyed Zio Matteo. From the village there are great views of Palermo.

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The Duomo of Monreale

Palermo’s main street downtown is a pedestrian zone. It is lined with upscale shops and restaurants, with perhaps a tavola calda or two. In this part of Italy a tavola calda has arancini, risotto rice shaped into balls coated with corn meal, then deep fried. They have an orange tint so together with the shape and the orange color they came to be called arancini, little oranges. There are other shapes. The round ones are stuffed with ragu. The other shapes have different ingredients, including pistachio sauces.

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Via Ruggero Settimo in Palermo on a Friday night

Follow this street on down and you come to Quattro Canti, an intersection with four effusively decorated facades, one on each corner. Turn right and you find the Cathedral and a but further on the Palazzo dei Normanni.

For good itineraries in Palermo, check out https://www.thethinkingtraveller.com/blog/the-best-things-to-do-in-palermo-itineraries

We’ll be back in time- treasures of Sicily (Palermo)

Palermo

Palermo

The route from Selinunte to Palermo takes you past the turn off to my ancestral town of Partanna. I looked twice at the sign as we went by, as if to verify that it in fact exists and my past in part lies here. After that you drive past large and steep mountains along the coast, near the airport and elsewhere. Flat areas lead up to them so you get great views of their breadth and number, not just the height.

The first time I drove in Palermo was back in the 90’s. We rented a car in Luxembourg, driving south to Genoa. I think by then I’d learned that Colombus was actually Colombo, born in this very coastal city, and not Spanish. We went through the Alps to get there, descending to the city through long tunnels on well engineered highways. The Italians do know a lot about road building. We descended to the port to take the ferry to Sicily. We passed Corsica and Sardinia along the way, the latter far off the starboard, and then some coastal islands on the Sicilian coast. I imagined seeing Ulysses float by, tied to the mast. There was no Ulysses on this drive, but a Garibaldi or two instead, with notes of The Leopard floating around there somewhere. Sicily rolls out before us, changed much yet there is much the same.

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We stopped in Castellomare di Golfo for lunch, with wonderful views of the coast

Once in town we easily found our apartment, right across from Teatro Politeama Garibaldi, home of the Orchestra Sinfonica Siciliana, which played in the plaza across the street the next evening. The apartment is in an old building – there are many thousands of those in Palermo. We had a code to get in the main entrance, where we retrieved the key. The apartment is just a floor or two up. There’s an old elevator that stopped a half floor above the apartment door. Once inside we could see that the apartment was built in two buildings, unless strange layouts and a living room on a lower level are somehow typical. The kitchen is one butt wide, stuck in a closet along the hallway.

There’s a bronze four horse chariot at the Teatro entrance, and three bass reliefs. The huge plaza in front affords a broad view of the impressive structure. Cross it and you are on Liberta, the main drag that’s now a pedestrian zone. It has many posh shops and eateries galore. In this area you find several churches that house amazing works of art. You come to Cuatro Canti – Four Corners. Up the hill is the Cathedral with its impressive mosaics.

Perhaps the most impressive art is to be found in Chiesa Gesu ( Gesu means Jesuit), and not just impressive compared to other churches, but it holds its own to any other structure anywhere, even St Peter’s in Rome. Innumerable Ph.D. dissertations are packed into this Baroque structure completed in 1636, measuring a mere 72.10 m compared to St. Peter’s 212m in length.

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Gesu’s amazing decor

It suddenly struck me as equally astounding as the art in Gesu is the complexity of these constructions projects. You have building materials to collect, stone workers to organize, artists to hire and train as well as their materials to find and transport. All of this has to be financed, with monies collected and disbursed. No doubt there were lots of problems, some imposed by nature and others by clever crooks, but here it is today still with us, as astounding as ever.

An example of the exquisite sculpture in Gesu, Palermo
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Gesu has putti galore

Santa Caterina is a veritable art museum for Baroque painters as well as sculptors, and a great bakery to boot, as you find out as you wait in the cloister for the numbers of visitors to subside to safe levels. Lots of pistachio based goodies.

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Hold onto your jaw when you enter Gesu
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Santa Caterina has many paintings and some sculptures, fewer than Gesu.
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Santa Caterina ceiling painting

While our friends were still with us we had some delightful meals as well as some less so. We went to one of our favorite local places. It had declined compared to two years. The same with another we went to after it was just the two of us left. Similarly the famous street market, the Mercato della Vucciria, is all but gone, a victim of the pandemic.

By that time we were tiring of Sicilian food, which had become repetitive. We found a Roman restaurant, named Cacio and Pepe. Cacio and pepe is one of the four truly Roman pasta dishes, served in almost every restaurant in its home city. The food and service at Cacio and Pepe was so good we returned for the final night out for the six of us. Antipasto came out but we had to wait for the wine, which was white and still very warm. They offered to chill it at the table. I turned down the bottle. On a warm night like this one it would probably take 20 minutes to chill a bottle of very warm wine and in the meantime we already had our antipasti. I had them bring another. It was well chilled. Otherwise it was a delightful experience, outdoors in an attractive setting on a side street off Liberta.

The next day our friends departed by train and plane. After checking into a strange little basement apartment we went to the Regional Archaeological Museum Antonino Salinas. We went there in 2019 during our month long sojourn. Immediately I regretted not taking our friends, for it contains many superb items collected from Selinunte.

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Some of the metope from Selinunte
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My second regret was not taking them to see more of Serpotta. You can not see his work elsewhere. See some of his superb sculptures, mostly in plaster, see photos and video on my post: https://garyjkirkpatrick.com/the-heights-of-serpotas-art-the-oratorio-santissimo-rosario-in-santa-cita/

We’ll be back in time- treasures of Sicily (Selinunte)

From the Valli dei Templi we drove to the town of Marinella di Selinunte. The town as well as the archaeological site on its door step sit on the coast. We were looking for a B and B called Arcos. After a few hours drive from Agrigento through some lovely scenery we found the street but were unable to find the house. We called while idling in the parking lot at the hotel at the end of the road. I spoke to him but had a hard time understanding. He may have a heavy Sicilian accent, to which I am not accustomed, or he was speaking Sicilian, which even some native Italians have trouble deciphering. We retraced our steps and when we got to the stop light, I told him we were at the ‘semaforo.’ That’s Spanish for stop light. Perhaps it is Italian or Sicilian as well as he then knew where we were, and said he’d come out to the street. We turned around again. There he was a few hundred meters away. We saw that the house had no number, that there is indeed an arch, albeit to nowhere, but it sits behind the gate, invisible from the road. So how are you supposed to find the place? Why would he not resolve the problem- could it have something to do with legal requirements? Italians are notable for the ways in which they avoid taxation, so I would not be surprised that this was exactly the case, as later he refused to provide a receipt for the night.

It’s a lovely place our elderly host has although there’s just one bathroom for the 7 of us. He had to use the same one, thus 7 and not 6, unless he had a facility aside from the one in the house.

As we were unloading our bags in the rooms he told me that he could not find one of the remote control for the air conditioning in one of the rooms. We decided to take that room. I thought that by nightfall it would be cool enough. That proved to be true. Also this way we would not worry about our friends being unable to sleep.

He continued looking around for the remote control. In the process he came back into the room. He asked to enter but before I could say no, he came in. I had no clothes on. Not a huge deal. But a minute later he came in again, without even knocking. I was rather miffed. Then not but five minutes later one of our friends walked in without knocking, as the door was open to allow some air to circulate. I was starting to have a difficult day.

Dinner that night was in town. There were more challenges to come. We managed to drive in the wrong way on a one way street, turned around by people sitting on their front porch facing the port. Then we managed to park too far from the port, where we had just been while going the wrong way, forcing our somewhat hobbled compatriot to walk much farther than necessary. At least it was downhill.

The streets along the way were hacked into the hillside in a maze-like fashion. The route to the sea was not marked. We had to ask a woman who was sitting with neighbors outside in the evening’s cool. She gave us perfect instructions. Keep going down.

We settled on a restaurant in the public square when we finally got there, eating and drinking for an hour or so. As we sat there a priest started to conduct a mass nearby, outdoors and in front of a sort of manger. A small crowd gathered. Perhaps it was a blessing of the fish or some such rather than an ordinary ‘culto.’ At any rate what he was doing could serve for any run of the mill hocus pocus.

Afterwards we went to a nearby restaurant run by a local. His family has had this place for years. He’d spent some time in Australia, spoking English quite well. Good typical Sicilian dishes on a lovely Sicilian coast line night that cooled nicely as the sun set.

The next morning we came to a breakfast table set just outside the ample kitchen. There was coffee – the Italian version, not the American, our host pointed out. It’s a difficult adjustment for people accustomed to a beverage that has a lot more water in it and is not roasted to such a black color. As happened the day before each person had a pastry stuffed with ricotta, a very Sicilian breakfast. Its a far cry from, say, a Dutch breakfast, with hearty bread and slices of cheese and various meats.

The archaeological park is just a few minutes drive. It’s large. On our last visit we were deterred from a complete visit by the distances, so we all selected to take the transportation on offer. You have to walk to the small museum to board, passing by Temple E, one of five temples here. The museum does not have much to offer as almost all the goodies are in the The Antonino Salinas Regional Archeological Museum in Palermo, of which more anon. On our last visit, just two years ago, there was an excellent video that played upon the Greek columns they erected in the large hall, and on the wall behind. This was no longer available, a major disappointment.

Selinunte was an ancient Greek city. There were some 30,000 people at its peak around 490 BCE. There were also Phonecians and native Sicilians in the area.  We know quite a bit of its history. Check out the wiki at https://en.wikipedia.org/wiki/Selinunte

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Temple E, its columns now standing upright after spending many centuries on the ground

The Acropolis is at the far side of the park overlooking the sea, a gorgeous location for a temple or any other structure.

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The Acropolis in Selinunte, watercolor
Selinunte Beach at the Acropolis
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The Acropolis

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Sanctuary of Hera
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Perseo e la Medusa, Antonino Salinas Regional Archeological Museum

Our next stop was Palermo. We have a place near one of the main music halls. It’s a beautiful ride. Our place was very easy to find.

I dropped the car off at the rental agency and returned to explore our abode for the next few days. Apparently it stretched between two buildings judging by all the ups and downs in such a comparatively small space. The kitchen is in what must have been a closet. It might have been an afterthought. Other than a microwave it had all the basics. The basics were not in great shape. The moca pot’s handle was broken. The teflon on the pan had been scratched off. These and a few other things would be inexpensive improvements yet our friendly host hadn’t bothered. Soon we were out and about in this busy, friendly and down in the heels ancient city on the sea.

Palermo- a city to visit, a city on the edge

Arpil 2019
 
Palermo has many charms, starting with the friendly people, continuing with the superb church art and architecture, many lovely parks and piazzas, opera, and a ton of diverse history.   To these charms add the Greek temples in Arigento and Selinunte, Erice, Siracusa, Noto and other destinations not far away, and you have a location of major interest to both short and long-term visitors. 

 

Palermo would be a much lovelier city if they could do a better job in the non-tourist areas where they are dreadfully inept at trash removal and street cleaning.  There are some buildings in need of demolition or renovation, and exterior cleaning, but given the size and age of the city I am less concerned with those big dollar projects than the daily need to clean up.   There is chronic labor unrest, and substandard buildings from the 70’s and 80’s that accompanied the depopulation of rural Sicily.  That Sicily largely disabled the Mafia is a vast credit, and it honors those heroes, but corruption of a less invasive type is still an issue.    My sense is that with a big push on the clean up Palermo could be a mighty fine place to live given its location, climate,  and rich heritage, and while that alone would not solve the other matters, it would cure a lingering source of discontent.  

 

 

The parks  

 

 

We are near Giardino Inglese.   To get there we walk on a few less than well maintained streets, along which you pass some fabulous bakeries and pastry shops, and at least two good restaurants we’ve been to, one being Ristorante di Diego which we enjoyed last Saturday night.    Once you get to the parks, you are in a different world – tranquil, clean, beautiful.   You might think you crossed a vast ocean between one place and another given the sharp contrasts. 

 

 

 

Architecture

 

 

Palermo was heavily bombed in WW2.  You can still see some of the effects around the port.   However tere are many palaces in good to excellent condition that are hundreds of years old, and you can pay to see some.  Baroque architecture is common, especially among the churches.  The Arabo-Norman style is unique to Palermo.   See my post on the Palazzon Normani 
 
The main street, Via Liberta, is pedestrian only on weekends, from near us down to the center.  This makes for tranquil strolling and leisure gazing at the buildings, shops and fast food places along the way.  You smell the barbecue wafting from the Ballaro street market.  Here, all roads and, as a result all paragraphs, lead to a place to eat.

 

 

Four Corners

 

 

Piazza Pretoria

Piazza Pretoria


 

 

 

 
 
Palermo is not a top tier city when it comes to art museums.   Given its size, around 800,000 people, that is neither surprising nor unusual.   There is a very good archaeology museum,  the Regional Archeological Museum Antonio Salinas, and there is at least one dig you can visit, Necropoli Punica , taking you back a few thousand years.   There are two modern art museums.  Neither have the resources for major foreign expositions.  You see some of the more well-known Sicilian artists from the 19th c and some of the contemporary artists as well.  
 
From the Museo D’Arte Contemporanea Della Sicilia at the Palazzo Riso:

 

 

 

Death of Duchamp – famous or infamous for his portray of toilet as art

The Last Selfie

 
 

 

Check out my posts on several of the more famous churches.   
 
Photos by Peg

 

 

 

Duomo Monreale

April 20, 2019

Duomo Monreale , also referred to as the Cathedral of Monreale, sits at height over the valley in which Palermo resides.  The views of the city,  the large natural port, and the surrounding urban and rural zones are expansive.  Here’s a video with some good shots of the valley, taking you then to the Duomo and the adjacent cloisters.

[embedyt] https://www.youtube.com/watch?v=i557UcxWpys[/embedyt]

 

The cathedral was built under the Norman King Guillermo II, who along with his brother is buried here in a coffin aside a petition near the altar.  Legend would have it that he fell asleep beneath a tree in the nearby forest.  In a dream, Mary told him to build a church here.  They found treasure in the tree’s roots.  The gold financed the  project, which began in 1172.  The result today is a UNESCO Heritage Site, one of Italy’s finest churches.  It is in the Arabo-Norman Style, 102 x 40 meters in size.  The interior is wall to ceiling in what I would call ‘late’ Byzantine style mosaics.  The underlying drawings are a bit more realistic than what you might find in Orthodox churches.  There is not a bare centimeter anywhere in the buliding.  The floors are exquisitely formed patterns in marble.  The arches are Moorish in style as is the external decor.    

There is an extensive wiki so for more about this superb building.    https://en.wikipedia.org/wiki/Monreale_Cathedral

 

Peg’s photos

 

 

 

 

 

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A Good Friday Procession in Palermo

April 19, 2019

We were doing this and that in our apartment when we finally heard the procession going by.  I managed to get a short video. The Mary had already gone around the corner so you can see it just from behind. You can hear the music, though it has been pretty much the same everywhere today, except for the opera singer we heard at a church.

 

[embedyt] https://www.youtube.com/watch?v=TGOFMowAMrQ[/embedyt]

Chiesa San Agostino and Oratorio della SS. Carita di San Piedro

Oratorio della SS. Carita di San Piedro is a small church originally connected to a secular effort to raise funds for the ransom the religious abducted by pirates. The anteroom  has outstanding frescoes by Guglielmo Borremans.  One is “The escape of St. Peter from the Prison,” the other “The Glory of St. Peter.” There is also “Francis of Assisi,” “Achaio,” “Vincenzo de ‘Paoli,” and “Paolino.”

Oratorio della SS. Carita di San Piedro
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 Oratorio della SS. Carita di San Piedro

Chiesa San Agostino 

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Construction on the Romanesque Chiesa San Agostino (Chiesa di Sant’Agostino) is locally known as Santa Rita.  The building was built in the early 14th century . The rose window has 12 intersecting semi-circles and has an unusual trim that defines the entire otherwise plain facade.  The Gothic portal features arabesques (abstract patterns) and plant motifs. 

stucco statues by Serpotta

 

Necropoli Punica

Necropoli Punica dates to between the city’s founding in 734 BCE as ‘Ziz’ (changed to Pánormos by the Greeks) in 734.  The Necopolis on Corso Calatafimi has an excellent if somewhat technical narrative panel.   You can walk into the dig and one level down into several burial sites.  The site is behind the Norman Palace, placing it between the now diverted rivers Papimeto and Kemonia Rivers.  (‘Punic’ refers to the Carthaginians, who were Phoenician in origin). 

 

The panels discuss the ancient development of the city.  The earliest description of the site dates to the 10th century, by an Arabic geographer.  Archaeological digs show the first area settled to be nearby the Palazzo Normani.  It then goes through the eastward expansion in the 6th c. BCE.  They even discovered the unit of measure used in the layout –  the cubit, 54 centimetes/21.3 inches. 

Human remains were either inhumanted or cremated.  Some remains were found in calcarenite (a type of limestone) slabs, simple trenches, others were laid out in underground tombs.  They show you examples in the dig, including that of a 5-year-old girl.  There are decorative motifs linked to the Egyptians, and an oinochoe, a large jar used to mix wine.   

I should have brought my Indiana Jones hat – I felt the buzz going down these stairs: 

 

 

Watercolor self portrait in leather hat

 

 

 

Superb Baroque ceiling paintings of Chiesa di San Giuseppe dei Teatini

Open the door and you are a greeted by an amazing display of Baroque art in a brightly lit interior.  There are stuccoes by Paolo Corso and Giuseppe Serpotta.  Frescoes in the nave and the vault by Tancredi, Borremans and Velasquez. They were severely damaged during WW2 but expertly restored. There is a wood crucifix by Fra’ Umile.  Giacomo Besio of the Theatines order built the Chiesa di San Giuseppe dei Teatini at the beginning of the 17th century.  It has a large  a blue and yellow ceramic dome.  

 

Chiesa Santa Ninfa ai Crociferi, a repository of fine art

There is a circuit of churches in Palermo.  These buildings are centuries old.  Due to high maintenance and restoration costs they charge a small entrance fee.   On the circuit is Santa Ninfa which we happened across walking down the center of via Maqueda, today being pedestrian only.  I noticed the name on the exterior plaque and as my grandmother was born in a village named Santa Ninfa, we walked up the steps to take a look.  Two women sat at the door selling tickets.  Neither spoke English.  One offered a written guide but none were available in English.   I jokingly said, well since there are none in English, please come with us and explain everything.  Much to my surprise, she got up and did just that.  We were very glad she did.  I only wish I could have taken notes.

Construction of the church built in Ninfa’s honor began in 1601, financed by donations from several noble families of the city, including the Englishman Sir John Francis Edward Acton, commander of the naval forces of the Grand Duchy of Tuscany and prime minister of Naples under Ferdinand IV.  Giovanni Macolino, Giacomo Amato, Giuseppe Clemente Mariani, Ferdinando Lombardo (the facade) and Giuseppe Venanzio Marvuglia were the architects.  Doors opened in 1660, though much was lackeing.  They completed the building in 1750 .

There are some relics of Saint Camillus in the church, below a gorgeous altar made of wood painted to look like marble.   You have to get close to see that it’s wood you are looking at.  In addition the church houses many artworks of important artists.  Giacomo Serpotta has several statues fabricated in stucco.  The slender curves are exquisite.  Our guide explained that these stucco statues are built around a  wooden skeletal structure and then formed by hand.  Unfortunately I have no photos of his work in this church.    Here is an example however: 

Serpotta putto in Oratorio del Rosario di Santa Cita, Palermo.

Here are two pieces that are in the church:

Martyrdom of Santa Ninfa

Saint Camillus takes care of the infirms, Vittorio Perez

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

There is a painting by Guglielmo Borremans,  a rare if not the lone representation of the “Death of Saint Joseph,”  about whom the Christian Bible says so little, as our impromptu guide noted at the end of her charming 45 minute tour of this obscure church. 

Ninfa is one of four patron saints of Palermo, and is credited with ending a drought.  A few meters away from the church is a four way intersection, Quattro Canti.  Our guide told us she is one of the four commemorated in the four statues you see there.  

Santa Ninfa at Quattri Canti

 

There is a forced perspective wooden roof painted to look like a dome!  There is a point at which you can stand, look up and it is as if the peak of the dome is in the very center.  There is one in San Ignacio in Rome.  

 

 

 

 

 

 

 

 

 

 

 

 

 

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