Portrait of Young Man, pastels, after the Rubens sketch. Rubens and other artists of the time would use the same figure in multiple paintings.

This is my pastel of the famous John Singer Sargent painting title Madam X. It was quite controversial at the time since she was portrayed with bare shoulders. She begging him not to display it but he refused but it came to be known as Madam X. At his peak Sargent earned the equivalent of over $1M for a portrait. There is an excellent collection at the Metropolitan in NYC.

Matteo was my mother’s brother. He was born in Partanna, Sicily in 1893. His last name differed from his siblings. This anomaly has been prodding my curiosity for several years. Recently I wrote to Partanna to request his birth certificate. Unlike others I’d received, this one did not show his parents. Then I requested a copy of his Social Security application. There he named his father. Assuming he had the facts correct, now we know his father’s name. But what happened to his father? His mother, my grandmother, remarried when Matteo was around 5 years old.

He immigrated in 1915. I remember him teaching me to use utensils the continental way, fork in left and knife in right, and now switching back and forth. He was a very quiet guy as I recall him. My brother me he was quite active in the garment workers union in NYC, as was his sister Anna (Annette). He married a woman named Nellie who died in the early 1940’s. I think they married in Newark, at least I found a record of a Matthew and Nellie in the marriage records and as this is a uncommon combination of names it’s likely to be them. He died when I about 10 years old.

Giclee print (highest quality available) $60, signed 1 of 100
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High quality prints $35.00, 30 x 42 cm/12″ x 16.5″
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Inspired by Edward Hopper’s Conference at Night, 1949. Strong contrasts, the powerful light of the window, two shimmering figures replace the dialogue of Conference. Out of focus, fuzzy dresses, perhaps made of fuzzy fabric, envelop the figures in a warmth protective against the rooms colder hues representing the starkness and loneliness of modern urban life. SOLD